themusicologist

musicology #498

SoulBoy #17

(Garland Green – Plain And Simple Girl)

right..have to be quick today, (even though I’m slowing the tempo..), as I have to get my ‘bottle’ out the ‘apple’ sharp and wanted to get this one up for as long as possible..apologies for leaving you SoulBoys and SoulGirls hanging for the next installment these last few days, things to do…people to see, (MrHare them shoes are sooo ‘RUDE’)…no excuses just apologies. Hope to make up for it with this Sunday afternoon, Soul Spectrum slice from Garland Green..produced and arranged in 1970 by the majestic Donny Hathaway his first and most , (commercially), successful, (whatever that means?), release on Cotillion. I am a BIG fan of this one. Soul through and through….Listen Tune…

musicology #497

SoulBoy #16

(The Fundamentals – Before It’s Too Late)

Through the ups, downs, highs, lows, hills and gullys of my life the only ever present is the soundtrack. To put it simply I am passionate about music in a way that is sometimes frightening. I Lose all sense of time and as long as I have music as a guide no mountain is too high to climb, (and I’ve found myself at the foot of quite a few !), If truth be told I could, (and would be happy to), spend my whole life bathing in musical waters….but before I can do that I need to make my play and at the moment I’m busy setting up the next phase of the project. It had to take a back seat for the last 9 months as the threads of my life unraveled….but as they say in France…C’est La Vie and one thing’s for sure “I plan to stay a believer”.. That’s not to say that I’m completely out of the woods..that will take some time but it feels to me like I’m on the right track.

Anyway…denough of the ramblings and back to the SoulBoy with today’s beautiful piece of 1967 Vocal Group action from out of Chi’.

musicology #496

SoulBoy #15

(Sam And Dave – Goodnight Baby)

Staying on board the Soul Train for this week as there are far too many cuts and artists who have yet to be featured..Marvin Gaye, Bobby Womack, James Carr, Sam Cooke, Teddy Pendergrass, Al Green, Aaron Neville, Bobby Bland, Solomon Burke and on and on and on in fact a year still wouldn’t be long enough to dig deep into the Soul Cellar so another week is the LEAST I can do.

Too many pieces to choose from…must have lined up at least 5 cuts…just as I’m about to prepare one a next piece floats out of the speakers to distract my butterfly mind. So without further delay hold this piece from one of the great duets Sam Moore and Dave Prater. So electric were they on stage that Otis Redding refused to go on after them. 1965 release on the Stax Label.

musicology #495

SoulBoy #14

(Bettye Lavette – Easier To Say Than Do)

What is Soul? have I asked this question before? can’t remember and to be honest I don’t think I’ll go back over the last 494 diary entries to satisfy my curiousity ! all I can say is that for me Soul communicates with my emotions in ways that only music seems to be able to. I enjoy looking at Art and reading it too but there’s something about listening to it that has a transcendent quality that words can’t describe..So instead I’ll leave it to the music..

Today’s cut is a first on themusicologist not only for the artist but also for the way in which it was delivered.courtesy of a fellow musicologist who I have had the pleasure to hook up with via the musical diary. The first in a series? of collaborations between themusicologist and audience. Recorded in 1970 for Shelby Singletons SSS International label but not released? BIG label for the Northern Soul Cats this is a fine piece of Soul from a great singer who first recorded at the dawn of Soul in 1962. Probably best known in the Soul community for her Marrow trembling ‘Let Me Down Easy’ .. Still going strong Bettye Lavette is a genuine Soul singer of the highest order.

musicology #494

SoulBoy #13

(Angie Stone – Everyday)

Another day another Soul dollar..sticking with The Ladies for the next few days, (seems rude not to !!), but (almost), moving into the 21st Century with this cut from the magnificent Angie Stone..yet another artist who started out singing Gospel..Have to be quick today as I’m on a course refreshing my screen printing skills so can’t wax lyrical..

Today’s 1999 cut is highlighted from Ms Stone’s debut set ‘Black Diamond’..co written by D’Angelo. QUALITY mod/ernist Soul from one of themusicologists favourite contemporary artists.

musicology #493

SoulBoy #12

(Irma Thomas – Ruler Of My Heart)

Love the way the SoulBoy is shaping up….Soul and Reggae are the two musical languages that I am fiercely passionate about..I like many genres and almost all styles but nothing connects with the I like these two. Maybe it’s because I was brought up with them? especially Soul, the sweet sounds of Jamaica didn’t make an appearance until I was 3 or 4 years old but Soul is in my flesh, blood and bones…prenatal style !!

Seems like the Soul Kitchen’s hotting up with every cut so i’ll keep up the pressure with this piece from the superb Irma Thomas..well known to Soul Cats and Kittens for many a fine slice, (this being one of them), ‘The Queen of New Orleans Soul’ started out singing in a Baptist Church choir as a teenager but it wasn’t until 1960 that she ‘waxed her first side’. Like all the great New Orleans Soul singers of the sixties it was on the pioneering label Minit that she really begun to cut loose under the wing and watchful eye of the legendary Allen Toussaint, producer, arranger, songwriter and piano maestro whose contribution to the emerging sound now known as Soul deserves, (and gets), honourable recognition. Today’s cut was reinterpreted by the ‘Big O’ for his first solo outing ‘Pain In My Heart’ and as good as that is, for me, this one reaches out even further. 1963 recording on the Minit label. Already featured twice on themusicologist, (#150/ #359 Irma Thomas oozes Soul.

musicology #492

SoulBoy #11

(Doris Troy – Please Little Angel)

Ladies with Soul … Lots to choose from; Aretha Franklin, Carla Thomas, Candi Staton, Randy Crawford, Millie Jackson, Mary Wells, Gwen McCrae, Vicki Anderson, Marva Whitney, Lyn Collins, Barbara Lewis, Etta James, Dee Dee Warwick, Fontella Bass, Minnie Ripperton, Marie Knight, Dee Dee Sharp, Mitty Collier…as well as contemporary kittens such as Angie Stone, Brandy, India Arie, Beyonce…and those are just the ones off the top of my head !

As difficult as it was to choose..today’s cut, (courtesy of Doris ‘Just One Look’ Troy), has ALL the right ingredients; Vocals, Lyrics and Production..

Bronx born Doris Higginsen begun her career singing Gospel in her fathers choir but it was as a songwriter that she scored her first hit ‘How About That’ recorded by Soul pioneer Dee Clark in 1960. Three years later she was spotted by James Brown working as an usherette at the Apollo and in that same year she wrote and recorded the Mod/ernist classic ‘Just One Look’. Not sure how or why but Doris didn’t go on to receive the critical acclaim that her talents deserved. Employed by the Beatles at Apple as Artist, Writer and producer Doris sung backup and worked with some of the UK’s most established musicologists, (The Rolling Stones, Pink Floyd, Led Zeppelin, Eric Clapton and The Moody Blues), but failed to make a commercial impact as an artist in her own right. After a few years in the wilderness Doris’s story became a successful stage show ‘Mama I Want To Sing’ which is scheduled for a cinema release this month? I didn’t know that before researching for today’s cut but musicology works in mysterious ways so it makes complete sense to me.

musicology #491

SoulBoy #10

(Candi Staton – To Hear You Say You’re Mine)

Listening back over the SoulBoy I realised that the Ladies hadn’t got a look in !! so this week I aim to rectify that and roll with some female action..starting with this one from the SUPERB Candi Staton. Yet another graduate from the school of Gospel..(where almost ALL the greatest Soul Singers started), Candi Staton is best known for ‘Young Hearts Run Free’ but at the end of the 60’s and into the early 70’s she recorded for Rick Hall and his majestic Fame label from whence today’s cut came.

musicology #490

SoulBoy#9

(O.V Wright – Motherless Child)

Wooooooooooooooooooooooooooooyyyyyyyyyyyyyyyyy. Lee Fields was so hot last night but the Menahan Street Band were on fire. Deeeeeeeeeeep Soul and funk that has to be heard and seen live to be fully appreciated. WHAT a show. EVERY song a winner. They almost tore the roof off at the Bloomsbury last night which considering its underground was quite a feat ! If you like Soul and Funk and they are playing in your town then do yourselves a favour and make sure you attend.

Bit of a dilemma as to what to lay down today? TOO MUCH choice on the Soul front and as I go to lay one down another comes up and ‘speaks’. Been listening to Legends like Marvin Gaye, Otis Redding, Sam Cooke, Al Green, Leroy Hutson as well lesser known but just as majestic Cats like James Carr, O.V Wright, and a whole host of 45’s from the 60’s and 70’s so rather than face the dilemma I’m just going to lay down this 60’s Soul marrow trembler and be done…..Recorded for and released on Don Robey’s BackBeat Label in 1965, (from the album If It’s Only For Tonight)

musicology #489

SoulBoy #8

(Lee Fields & The Expressions – Do You Love Me Like You Say You Do)

Have to be quick on this one as I’m heading out the door to see these Cats perform live and direct at the Bloomsbury Ballrooms in my hometown…the first metropolis and greatest city in the world…London. REALLY looking forward to it and if anyone out there needs convincing to make the effort to get down there this should be enough…Soul of the HIGHEST order. Released last year on the Truth and Soul label..Featuring Lee Fields, Charles Bradley, Leon Michels, Toby Pazner, Tom Brenneck, Dave Guy, Mike Deller, Nick Movshon, Homer Steinweiss.

musicology #488

SoulBoy #7

(Donny Hathaway – Giving Up)

Slowwwwwwwwww toooooooooday. Was out on the tiles last night and didn’t ‘get me nut down’ until the break of dawn…QUALITY night though, (in a club beneath the Ritz)..good friends birthday bash. Saw a few faces that I haven’t seen in a while and met some new ones…All Good. So I’m just going to lay down the cut without further delay as I’m tired. This one is courtesy of the sublime Donny Edward Hathaway a troubled Cat who despite his trials and tribulations still delivered some of the finest Soul yet recorded.  Highlighted from his second LP ‘Donny Hathaway’ Released in 1971 on the Atco label, written by Van McCoy and featuring legendary musicians King Curtis, Al ‘The Human Timekeeper’ Jackson Jr, Phil Upchurch and Cornell Dupree.

musicology #486

SoulBoy #5

(Terry Callier – Step Into The Light)

Didn’t throw one down yesterday… Had it all lined up but something held it back. Today I know what…Completed a foundation course yesterday, (the journey of a thousand miles begins with the first step), and without going into it the ‘proof of the pudding’ was most certainly in the weekends eating. Suffice to say that as the days, weeks, months and years unfold on themusicologist it’s a subject that I will elucidate on but for now i’ll keep it on the ‘DL’.

Today’s majestic slice of the SoulBoy pie on the other hand is one that will definately make it into the networked society of which I, for one, am most certainly a part…Courtesy of a Cat whose language I find myself in complete harmony with…Master Terry Callier my favourite contemporary artist. When the man speaks themusicologist ALWAYS listens. For me Harmony is like that I can almost consciously hear it as it resonates with my Soul. If you would like to hear more from the Man..BUY his works. I have them all and I couldn’t recommend them highly enough. First featured, (#391) on themusicologist when my world began to change. Following with a weeks dedication to the man, (#409-#415), such is his impact on my life…This one is from his ‘Alive’ set recorded Live at the turn of the new millenium at the Jazz Cafe.

“Said it’s alllllllllllright, baby step into the light”

musicology #485

SoulBoy#4

(Keni Burke – Risin’ To The Top)

Like I mentioned yesterday…time ain’t on my side for the next couple of days so can’t wax lyrical about today’s artist. Multi talented singer, songwriter, bass player, (today’s cut being a prime example), who wrote his first ‘hit’ at the tender age of 13 for Curtis Mayfield’s Windy C label.

Hip Hop fans, (as well as ‘Soul Boys’), will instantly recognise the BassLine which has been sampled by artists such as Doug E Fresh, Big Daddy Kane, LL Cool J, Pete Rock & CL Smooth, Mary J. Blige, and OC as well as providing the inspiration for legions of producers. The Jones Girls 1983 cut ‘All Night Long’ was 80’s Soul at it’s finest and of course it was this piece that preceeded it…would Love to share more of the Cats ‘medals’ with you but I HAVE to be out the door in ten minutes so without further delay hold this majestic slice of the 80’s Soul and Boogie pie…

musicology #484

SoulBoy#3

(D-Train – You’re The One For Me)

for the next 3 days, (starting today), themusicologist is going AWOL so the SoulBoy posts are going to be short but, at least as far as the music is concerned, sweet. Truth is I am starting a foundation course today and I’ll be busy with it until Sunday night so with that in mind…

Today’s cut is a classic piece of Soul from the early 1980’s. BIG on the Jazz Funk scene that rocked London’s underground towards the end of the 70’s, (in reaction to the commercialisation of Disco),  and lasted right up until the mid 80’s, (before Rare Groove took up the batton)

One of my favourite cuts from the period, D-Train consisted of James “D Train” Williams on lead vocals and Hubert Eaves III, (former member of funk and soul outfit Mtume), as instrumentalist. This was the version that moved the crowd mainly due to the introduction..

“With the love I have inside of me we can turn this world around,
we can live through all eternity and we’ll never touch the ground,
We’ll take a chance to ride apoun a star to a place that’s far away,
The light of love will shine on us forever and a day….”

Soul Weekender Crew…all yours..

musicology #483

SoulBoy#2

(Curtis Mayfield – Billy Jack)

So…after yesterday’s introduction to the musicology of Soul it’s time to turn up the heat with a cut from the 70’s..not to say that yesterday’s piece from the Miracles wasn’t ‘hotter than ten fire side’ as, for me, it most certainly is but as is often the case at the dawn of things, (the birth of Soul in this instance), it’s not always as accessible until the context is expanded and the horizon widened…

Significantly it was today’s artist that first touched both my conscious and unconscious in equal amounts beginning an appreciation for the man and his ‘language’ that started from babe in arms due, in part, to my dad who is a BIG Curtis Mayfiled, (and the Impressions), fan. One of the first LP’s that I can remember in fine detail is Curtis Live, (and it’s counterpart ‘Curtis’ you know the one with the man himself on the cover in them flared strides looking of into the sunset. I have featured and wrote about Curtis many times over the past three years so excuse me if I don’t repeat what I have already written for the sake of ‘information’.

Simply put….for me Curtis is Soul personified and his message has inspired me MANY, MANY times along the ‘way’…

Highlighted from his eponymous and hard hitting 1975 social commentary set ‘There’s No Place Like America Today’…..

Just out Monday
Run into a friend
Down the street, down the street
Where I live
Ahh ahh sad things begin
I could feel from within
From the message
From the message
He had to give

‘Bout a buddy of mine
Running out of time
His life run out of time
Somebody past noon
Shot across the room
And now the man no longer lives

Too bad about him
Too sad about him
Don’t get me wrong
The man is gone
But it’s a wonder he lived this so long

Up in the city they called him Boss Jack
But down home he was a alley cat
Ah! didn’t care nothing about being black
Ah! Billy Jack

Ahh can’t be no fun, can’t be no fun
To be shot, shot with a hand gun
Body sprawled out, you without a doubt
Running people out, there on the floor

Ah, ah bad bloody mess
Shot all up in his chest
Shot in the chest
One sided duel, gun and a fool
What a way to go

Up in the city they called him Boss Jack
But down home he was a alley cat
Ah Didn’t care nothin’ bout being black
Ah Billy Jack

musicology #482

SoulBoy #1

(The Miracles – I’ll Try Something New)

Waiting for the inspiration for a new theme it suddenly arrived yesterday out of nowhere… Soul. Why? well…above all musical genres Soul is in my flesh, blood and bones. Deeply ingrained from before I was born. allow me to outline my historicity

My mum and dad were both Original London Mod/ernists from 1962 and anyone who knows will agree that the authentic soundtrack to Mod/ernist is Soul…Rhythm & Blues too of course but whereas Rhythm&Blues had been around for many years Soul was ‘modern’ (albeit a fusion between Doo Wop and Gospel).

Between 1958 and 1960 the seeds of Soul were sown as the cultural boundaries began to be crossed in earnest and as is often the case it was music that blew the trumpet for change loud and clear. No more would the universal language be categorised strictly by ‘Race’ (my belief is that it’s the only language that speaks to all regardless of colour, nationality or creed). Artists such as Sam Cooke, Jackie Wilson, James Brown, Smokey Robinson, Jerry Butler, Curtis Mayfield, Gene Chandler, Dee Clark, Otis Redding, Solomon Burke, Wilson Pickett, Marvin Gaye, (along with a whole host of lesser known but just as illuminating singers, songwriters and musicologists), began to flex their musical muscles and craft the ‘new lick’ without the backing of Corporate thieves and vultures.

In December 1968 themusicologist was born with the soundtrack of Soul ringing in my heart and soul and from that day to this it has been ever present. Beginning with the ‘classics’ I have matured throughout the 70’s 80’s 90’s and into the 21st Century with the heartbeart of such priceless musicology as the soundtrack to my existence. There have been and are many other genres that have had a profound impact on the I but Soul still is (and always will be), my first musical love.

Kicking off with one of my favourite early Soul cuts courtesy of the pioneering  ‘Miracles’ who first recorded in 1958 for Chess, but it wasn’t until hooking up to Berry Gordy’s fledgling Motown Label that the musical sparks began to truly fly. Just like to add that without doubt The Miracles were a foundation stone on which the Berry Gordy empire was built…

musicology #481

PoliceAndThieves #6

(Junior Murvin – Police&Thieves)

Last day of this theme but before the final cut I would like to elucidate on the my thoughts and inspiration for laying it down. various parts of London, (and many other parts of the world), in the late 70’s and throughout the 80’s were a battleground as the old world began to give way to the new and the front line soldiers were the police. Stop and search was a BIG problem that only served to alienate ‘us’ from ‘them’. In my experience community policing gave way to bullying and now we live in a society where for many the Police are the oppressors.

Of course the argument could, (and does as far as some are concerned), run that fire needs to be fought with fire but on the other hand the Tao maintains that the ‘way’ to deal with ‘yang’ (fire) is with ‘Yin’ (water) and I have to state wholeheartedly that I agree..my recent experience has highlighted that fire burns whilst water soothes..anyone who has been in such a situation must know of what I speak?. I’m not blaming those individuals who join ‘the force’ as ‘a wo/man has to do what a wo/man has to do’ in order to survive. My belief is that the responsibility lies squarely on the shoulders of those who crack the whip….

Could only be this one to finish up..Junior Murvin’s international 1976 ‘hit’ … Supremely produced and mixed by Lee Perry.

musicology #480

PoliceAndThieves #5

(Woody Guthrie – Pretty Boy Floyd)

Have to be quick with today’s post..man on a mission ! so without further delay hold this cut from Master Woody Guthrie who I am a BIG fan of. Regulars to the musical diary might have already guessed that I hunger for authenticity whether in music or in life..too much bullshit angers me which is why ‘news’ doesn’t interest me at all. At the risk of seeming indifferent the conventional propaganda machine or to use it’s common name..the media has an agenda…the promotion and pursuit of Capital over happiness…money ain’t worth the paper it’s printed on…how much has been printed over the last year? something like 20 Billion?? and yet still the poor are getting poorer while the rich are getting richer. make no mistake the gap between the two is widening…how can that be?

Anyway…before I get involved hold this cut from Woody about outlaw Pretty Boy Floyd. Recorded in 1939 the song highlights Floyd’s apparent generosity to the poor which considering Guthrie’s Oklahoma roots and the mans authenticity I would imagine was true. Floyd’s funeral remains the States most attended funeral so he most have been popular for more than mere infamy… the outlaw is generally respected amongst the poor community and also revered for his generosity while his nefarious activities are often overlooked.

musicology #479

PoliceAndThieves #4

(NWA – Fuck The Police)

So much to do and so little time in which to do…the bane of the 21st Century and as we move deeper into the ‘Age Of Insecurity’ the question I sometimes find myself asking is

“what the f**k is it all about” and by ‘it’ I mean existence…is it a game “full of sound and fury signifying nothing” or does it have any deeper meaning. If truth be told, (and I have said it before), for me it does have meaning and it isn’t a game..games are for playing while I believe that life is for living.

What has this got to do with the current theme..not much. Just the way I’m rolling today…I Feel good, great in fact and I just wanted to share it with you.

While searching and scanning themusicologist vaults for cuts about Police and Thieves I have concluded that musically, Thieves barely get a mention. I think Foucault wrote a book about society’s fascination with villains, (which I will have to procure for the library), but they are not well represented in musicology whereas the police on the other hand are.

Today’s cut needs no introduction..borrowed from seminal 1988 album ‘Straight Outta Compton’ featuring the harmonious talents of Ice Cube, Mc Ren, Eazy-E, Dr Dre and DJ Yella

musicology #478

PoliceAndThieves #3

(Gregory Isaacs – Mr Cop)

Hmmm..don’t know what’s happened to the ‘Thieves’ selection..just have to keep rolling with the Police then…

Today’s cut is from none other than the ‘Cool Ruler’ a Cat who has been delivering TOP ranking cuts for 40…YES 40 years. which in this age of here today and gone tomorrow is no mean feat. His recording career begun in 1968 but it wasn’t until hooking up with Errol Dunkley in 1973 and setting up their African Museum label that he began his rise to the top of the Jamaican music tree working with producers such as Niney, Gussie Clarke, Roy Cousins, Alvin Ranglin and Lee Perry sealed his status as one of Jamaica’s top vocalists throughout the 70’s and 80’s. Always ahead of the game Gregory was and still is an inspiration for all Ghetto youths.

Still making TOP ranking music Gregory is the yardstick by which all Jamaican vocalists are measured…with only Dennis Brown for company. Yes there are other singers who are as good but none surpass Gregory…Lee Perry production on this one.