musicology #455

TheManWithTheBag #5

(The Drifters – The Bells Of St Mary’s)

One of themusicologist’s personal Christmas favourites. Been with me for as long as I can remember. Recorded and released on an Atlantic 78/45 in 1954. Over half a century old and still as fresh as spring daisies..(the cracks and hisses aside !!), Of course it’s Clyde McPhatter on lead just after he had left Billy Ward’s Dominoes to form the first incarnation of the Drifters.

musicology #384

Modernist #12

(The Drifters – Up On The Roof)

Modernist / Mod / Mods..for me the label is not the issue it’s the philosophy..the ideology that’s important and how it evolved to influence almost every ‘trend’ that followed. That’s what fascinates me. The narrative of the early sixties is well documented from almost every angle other than the ‘street’ perspective in part because the voice of the people is not one that is often heard. As Johnny Spencer said ‘by 1965 the essence and meaning was gutted from the original movement because it was a genuine threat to the staus quo’. For sure the consumer revolution had been managed as far back as the early part of the 20th Century but ‘Mod/ernist’ was never part of the equation because it came up from the street where the establishment had no control or initial interest other than in how to ‘capitalize’.

By the time I was born in 1968 the control was being fought for and for a moment the chance was there to bring down the system but by then the momentum was with the bourgouise intellectuals who when it came down to it didn’t realise that in the words of Martin Luther King there would be ‘No victory without sacrifice’. As the 70’s rolled on everything had been commoditized and the moment passed, (much to the relief of the establishment), who then went on, (in the 80’s), to destroy the working class by giving us ‘something’ to lose in the way of our own property which, of course, wasn’t ours anyway as it belonged to the banks that had sold us into debt slavery.

Interpret my musings how you will but I know how it was to live through these times with a narrative of Mod/ernist as the guiding principle which is after all an Attitude rather than merely a fashion trend. In my opinion part of why the lifestyle of Mod/ernist has been, (and continues to be), so enduring is the underlying principle at the heart of it which is to follow your own path and, (as much as you can), decide for yourself what to do, wear, listen to, watch, read, learn etc.

Today’s 1962 cut by the Drifters is so well known that it is easy to dismiss it as nothing more than pop but if you listen to the words it speaks the language of pure Mod/ernist, the cats who met, walked, talked and lived together metaphorically

“Up On The Roof..way up where the air was fresh and sweet and away from the hustling crowd and all the Rat Race noise down below…….right smack dab in the middle of town..”

Listen Tune…

musicology #158

vocalgroupaction2 #3

(The Drifters – Oh My Love)

while scouring the vaults looking for vocalgroup cuts it occured to me that there are many practitioners of the art that deserve a musicologist representation…but there are two who are essential. The Miracles..and this group who epitomise the genre.

originally formed in 1954 by Clyde McPhatter, the Drifters have been through many line up changes, first it was Clyde singing lead followed by Johnny Moore and then Bobby Hendricks.

in 1958 the whole group was fired and replaced with one that was going under the name of the Five Crowns, (featuring the unmistakable pipes of Ben E King), who soon delivered national success in 1959 with ‘There Goes My Baby’ true to form the line up didnt last and after an altercation between the two managers Ben E King, (eventually), went solo.

this is the B side to the aforementioned hit from 1959 featuring Ben E King singing lead in the year that ‘doo wop’ was being challenged by the emerging sound that became known as Soul.