Teddy Wilson
musicology #466
2LegendsClash II #2
(Dinah Washington – How Deep Is The Ocean)
Dinah Washington…for themusicologist, the greatest female singer to ever record. Yes there are others such as the sublime Mahalia Jackson, Ella Fitzgerald, Sarah Vaughn, Aretha Franklin, Randy Crawford and a whole host of magnificent vocalists to consider but for me Dinah wears the crown.
Not sure how much importance it has to anyone else, (but for me it has resonance), Ruth Lee Jones was born August 29th 1925 under a sign I am inextricably drawn to..Virgo…I know and love too many, (more than any other sign), to dismiss it as coincidence. Not sure exactly why but in my experience honesty is a key trait of those born under the sign and for me that alone is magnetic…when Dinah sings I listen.
Her career begun in 1940 but it wasn’t until hooking up with Lionel Hampton, (who had previously been part of Benny Goodman’s trailblazing quartet along with Teddy Wilson), on December 29th 1943 that her star began to rise. Much has been written about Dinah’s battles with various substances as well as her seven husbands !! which considering she died at the tender age of 39 says plenty about her credentials to sing about the Joys and Pains of love with such authenticity and passion.
Quincy Jones, (who knows a thing or two about musicology !!), described Dinah’s style with this eulogy saying she “could take the melody in her hand, hold it like an egg, crack it open, fry it, let it sizzle, reconstruct it, put the egg back in the box and back in the refrigerator and you would’ve still understood every single syllable.”
Today’s cut is Dinah at her best singing a song written by master songwriter Irving Berlin.
Listen Tune….
musicology #465
2LegendsClash II #1
(Billie Holiday – Things Are Looking Up)
So, the end of another year and on reflection what a year it has turned out to be, (at least for me). This time last year themusicologist was on, (what turned out to be), our final family holiday. Today a year later ‘farce has become history’.. doubt that Baudrillard was thinking in terms of a major relationship disintegrating into nothing when he penned that fragment but nevertheless it springs to mind. No point pretending that at times the pain wasn’t almost unbearable but as I sit here today, (alone), at the start of a new decade I can’t help but look back and say I am glad to be alive. Been a steep old learning curve, (that’s for sure), and although it’s been a white knuckle ride I wouldn’t have it any other way and after all… “Endings are beginnings of beautiful things”
Certainly didn’t want such a deep and profound journey to end the way it has but as I have already mentioned…for me it’s not what happens to us along the way it’s how we respond and I do believe that “every time it rains, it rains…pennies from heaven”.
Which brings me to the first theme of 2010 featuring two of the greatest vocalists to grace the 20th Century..neither should need an introduction but I’m going to drop one anyway.
First up to the microphone stand is perhaps the most influential singer to have ever recorded. A woman whose phrasing changed the face of so called popular music forever..Eleanora Fagan otherwise known as Billie ‘Lady Day’ Holiday who, along with Louis ‘Satchelmouth’ Armstrong, revolutionised the musical landscape. Brother Armstrong rocked the Mic but it was said, and no doubt in my heart it’s true, that when Lady Day first took the stand in a Harlem joint in the early 1930’s penniless and destitute and sung ‘Travelin All Alone’ such was her authenticity that Cats broke down and cried. I first heard Billie, (and that song), sometime in the 70’s, (as a child), and I promise you it shook the ground I stood on and begun a musical love affair that will last forever. It was the early Billie that I first heard and it’s the early Billie, (up to ’45), I connected to. Why Billie? why now?..in two words: Authenticity and Inspiration.
Listening to Billie bare her heart and soul provides me the strength to follow mine in the knowledge that to be in love is reason enough to live. Not, I have subsequently learnt, to be loved, (beautiful though this is), rather…to love. A feeling that doesn’t carry the burden of expectation or demand a return. Love is a language and, (as Erich Fromm so eloquently wrote), an Art and one I intend to do my best to continue learning along with the help of those who inspire me to want to.
So with that in mind hold this first cut from a lady who definitely lived and learnt a thing or two about the art while travelin’.
Recorded in New York, (November 1937), and released on a Brunswick 78. Featuring the combined talents of the majestic Teddy Wilson in complete harmony with luminaries Buck Clayton, Prince Robinson, Vido Musso, Allan Reuss, Walter Page and Cozy Cole.
musicology #361
Ideology&Philosophy #2
(Billie Holiday – Getting Some Fun Out Of Life)
Looks like we may be in for the long haul again on this theme ! although this is NOT going to be about the history of western Philosophy more like the history of Philosophy that has influenced themusicologist or definitions of concepts that I believe are critical to living in this mis-information age..so maybe it won’t turn into an epic. Either way the ‘musical diary’ will be left open for those who have eyes and ears to see and hear.
But before we get into round two I just want to let all the Cats know that ‘The Project’ is picking up momentum so I am, (and have been), very busy trying my best to walk on water, which is hard work but once you get used to it it’s like riding a bike..you get on, you fall off, you get back on again until one day you’re riding down the street pulling wheelies shouting “Look ma…no hands” !!
I’m not there yet but for me belief is more powerful than fear in the same way that love is more powerful than hate and as a ‘believer’ there is no way negativity will dominate the one life I have to live.
Today’s dialogue, (of course strictly speaking it’s a monologue but I hope that dialectic comes from it), says a few more words about Greek philosophy, (which was in fact the first step on themusicologist’s journey to knowledge of the self after reading a short book by Plato called ‘The Trials Of Socrates’) . The way I have interperated it Socrates was the first in the western world, (on record), to question everything which, at the time was quite monumental. Up until then people, (at least the majority), just accepted whatever the dogma was and placed little importance on evaluation. Socrates through Plato, (or the other way around), challenged almost everything that was said to him in an effort to question the meaning of words. When I first read this small book I found this to be in synchronicity with my own feelings on such matters and armed with the bare minimum of formal education was able to follow Plato without trying. This important discovery helped me to realise how important it was for me, (and in know way am I trying to convince anyone else), how critical Philosophy is in making sense of the world I find myself in so the following extract is a very brief introduction to some of the thoughts contained in such a valuable discipline. By the way I’m by no means a disciple of Plato or any of the Greeks but it was where the journey started.
The music is a cut from a female singer who for me is one of the most important interperators of the 20th Century…Billie Holiday, who also happens to be one of my earliest teachers on the subject of the expression of emotions. A 1937 slice originally recorded on Vocalion. Backed up on the session by the legendary Buck Clayton, Buster Bailey, Lester Young, Claude Thornhill, Freddie Green, Walter Page and Jo Jones almost all of whom featured heavily in creating the backbone of the great Count Basie Band. The Painist, (strangely), is uncredited but it could only be one of two, the majestic Teddy Wilson or the ‘Count’ himself.
musicology #203
teachings of billionaire YenTzu #13
(Billie Holiday – They Can’t Take That Away From Me)
end of the teachings…beginning of the journey.
epilogue
‘Three weeks on the road and all that greets me are smouldering ashes,’ sighed the Merchant-Sage, Ni.
‘What was it that you expected,’ said a voice behind him. ‘With all the provinces in such chaos! where have you been?’
Turning round the merchant saw a young man in a bedraggled state, his face stained with blackened smoke and blood. Getting down from his horse Ni said. ‘I had hoped that I would arrive before the Emperor Ch’in’s outrages had reached this outpost. But, I see that I am too late. Has all been lost?’
‘If you are a former graduate of this Academy, as I suspect you are,’ said the man, ‘you would be wise to take care. For they are imprisoning all who are followers of the ways of the ancients.’
‘My ancestor, the renowned Merchant Ni, was the grand-nephew of the founding Patriarch, Yen Tzu. Our house is loyal to the philosophy he and his followers taught. And you…,’ Ni once more surveyed the man before him, ‘….what part have you played to be in such a sorry state?’
‘I, too, came here for a similar purpose, but alas I was also too late. My name is Lu, of the House of Chou, whose founding father was also a pupil of Yen Tzu. My young heart and legs were sent by my Uncle in an attempt to rescue what parchments I could. But all was already aflame when I arrived this morning. It must have burned all night. I have fallen many times and scorched myself in my frantic search, but to no avail.’
The two paused in silence as they surveyed the ruins around them. As they did so, their eyes rested on the main gate keystone that now stood alone, unaccompanied by it’s former walls. The charred words were still clear to see.
‘So, not all is lost,’ said Lu.
‘Indeed, none of it can ever be lost,’ added Ni, as together they read the stone’s inscription.
Wisdom comes from one great Sage,
A true source for every age.
Mind, the door, Heart, the key,
Spirit guide, the path to be.
Listen within, Trust to feel,
Illusions vanish, Truth is real.
musicology #21
ladiesweek #1
(Billie Holiday – Love Me Or Leave Me)
Kicking off ladiesweek with possibly the most influential female vocalist of all time…Eleanora Fagan Gough popularly known as Billie Holiday who most certainly had a right to sing the Blues and sing them she did but in a new ‘uptown’ style that took it’s lead from the one and only Louis Armstrong.
Of course there’s Bessie Smith, Mahalia Jackson and Dinah Washington to consider but let’s leave that debate to one side.
very difficult to pick one slice of musicology from her repertoire but one it must be…
Accompanied by the sublime artistry of Teddy Wilson and full crew from sometime in the 1930’s … Billie step up to the m.i.c and let us know what time it is..
themusicologist 