Sorrow Tears And Blood

musicology #318

SongsOf Protest&Freedom#4

(Fela Kuti – Colonial Mentality)

Utilising the universal language to communicate protest is not as easy as it sounds as there are many forces at work that try to silence the minstrel from speaking the truth and for themusicologist no one signifies this more than musicologist and freedom fighter supreme..Fela Anikulapo Kuti who was a constant thorn in the Nigerian, (and other African ‘state’), Government’s side.

Third time featured on themusicologist for a Cat who certainly walked it like he talked it. Fortunately someone out there has translated and transcribed the lyrics for this 1977, (borrowed from the LP Sorrow, Tears & Blood), cut otherwise It would be hard for many of us to follow, (although not to understand), and for that I am extremely grateful.

LISTEN TUNE…

musicology #168

malevocals2 #6

(Fela Kuti – Sorrow, Tears & Blood)

didn’t throw one down yesterday…late night Friday and then headed straight out of ‘the smoke’ for some country air…slept for most of the day and be the time we returned it was too late.

this last cut of the malevocals is a song that has been getting a lot of exposure over the last few weeks and even though the cat in question may not be especially well known for his singing it was as a vocalist that he began his career.

as far as legends go ‘Fela’ stood as tall as anyone. almost singlehandedly inventing, (along with drummer Tony Allen), the genre known as ‘AfroBeat’. the life and times of Fela Kuti are well documented so i’ll leave it down to the music to provide an insight into the man.

taken from his 1977 album ‘Sorrow, Tears & Blood’ this is the title track about political conditions in his homeland. to say that Fela was an activist and thorn in the side of the government is an understatement for a man who was beaten to within an inch of his life, imprisoned on trumped up charges and hounded at every turn. but it never stopped him making powerful, immortal slices of music that communicated on many levels.

Fela was and still is an example of how music is the most effective form of communicating the message and is, as far as I’m concerned, the only ‘language’ that transcends all ‘boundries’

“Everybody run, run, run
everybody scatter, scatter….”