Slim Smith

musicology #530

Jamaica #10

(The Uniques – Love & Devotion)

on the previous cut I mentioned one of Jamaican musicology’s prime movers and shakers Edward ‘Bunny’ Lee, (aka Striker/Sir One Strike), and his skills as a record plugger, (originally for Duke Reid). Today though it’s the man himself’s turn to deliver but this time as producer…So many top ranking slices of the Rocksteady and later the Reggae have the Striker stamp that they could easily fill a theme on themusicologist and maybe one day they will but right now It has to be just the one from that long list.

But before throwing down I would just like to add that MANY of the great Jamaican artists have yet to be featured on the theme but what can a man do? I’m sure that over the years they will all be HEAVILY represented, (as some already have), all I can say is that, (at least in my book), every cut laid down on here is a gem so that will have to do.

So who’s up? has to be this one from the Uniques with a personal favourite that I first heard way back in the mid 80’s and has been etched into my consciousness ever since. Featuring the Sublime vocals of first Jimmy Riley then Slim Smith and finally Lloyd Charmers..each blessed with a voice that could ‘charm the monkeys from out of the trees’ On rhythm duty are Cats we are already more than familiar with (Lynn Taitt, Winston Grennan, Gladstone Anderson, Bobby Aitken, Val Bennett, Lester Sterling, Vin Gordon, Johnny Moore)…..MAJESTIC

musicology #527

Jamaica #7

(The Techniques – Love is not a gamble)

So what could have happened in 1966 to change the beat from the frenetic Ska to the laid back sound of the Rocksteady? Rumour and word has it that it was a combination of things that conspired..First of all popular information/knowledge has it that a heatwave swept the island forcing the dancers and musicians to slow the tempo..secondly as is often, (if not always), the case the time had come for the islands musicologists to evolve and in my experience slow follows quick. Thirdly, (and I’m guessing here), the Ganja may have influenced proceedings…

By 1966 many of the protaganists of the Ska were ‘Beardmen’ and were likely to have been ‘licking chalice’ Up Warika Hills with the legendary Count Ossie. I’m not suggesting that the Ganja was the chief reason for the shift..only one of many.

As for outside influences we only have to consider how Soul and the Vocal Group sound became dominant in America around this time and how much influence the likes of the Impressions subsequently had in Jamaica.

Finally and perhaps of most significance was the Skatalites splitting into two groups after the incarceration of Don Drummond in 1965…The Soul Brothers led by Roland Alphonso, (at Studio 1), and the Supersonics led by Tommy McCook, (resident at Treasure Isle). Notably Lynn Taitt is widely recognised as ‘Inventing’ the Rocksteady with the Hopeton Lewis cut ‘Take It Easy’ but other early pieces included Alton Ellis’s ‘Girl I’ve Got A Date’ and Derrick Morgan’s ‘Rougher Than Rough’, (all of which featured Lynn Taitt’s guitar).  Whatever the reasons for the emergence of Rocksteady it was at this junction that ‘Reggae’ began to take shape with the Bass rising to prominence and it must be said, (at least from my perspective), that Duke Reid wore the Rocksteady Crown.

So with that in mind the first cut has to go to the Duke and the Majestic Vocal Group known as the Techniques whose fluctuating line up included some of the great Jamaican vocalists; Slim Smith, Pat Kelly and Winston Riley, not forgetting cats such as Bruce Ruffin, [who wrote this cut], Junior Menz and original members Frederick Waite and Franklyn White.

Clearly influenced by The Impressions this one epitomises Jamaican Vocal Group Harmony. 1967? recording on the Duke’s Treasure Isle label.

musicology #461

TheManWithTheBag #11

(Jackie Wilson – O Come All Ye Faithful)

Just got back to the ‘Big Smoke’ after  a few days spent in natural paradise with two angels. The landscape up there, (North West England), never fails to inspire me and I always come back with a bit more of a ‘Tigger Bounce’ in my step. Knocking on the Christmas door now as we come down the home straight. Tree’s up, presents beneath it, kids excited. Just have a few more things to do and then it’s kick back time from tomorrow.

A question for you all out there..has the quality of song writing, (and singing come to that), gone downhill over the last few years or am I just not being exposed to the ‘right’ material? don’t know if you noticed but I listen to a LOT of music from as far back as the early 20’s all the way through to today and if the term ‘popular’ has any meaning/value as far as making judgement is concerned then the quality of pop today is, (generally), to my ears..poor. By NO means am I suggesting that quality music isn’t still being made as I don’t need to listen any further than Master Terry Callier, (for instance), to know that marrow trembling cuts are still being made but as I listen to the ‘charts’, (not out of choice but due to having two children over the age of ten), I can’t help but be disappointed. Where are the Dinahs, Arethas, Maxine Browns, Etta James’s? the Sam Cookes, Otis Reddings, Jackie Wilsons, Clyde McPhatters, Ben E Kings, Smokey Robinsons, Marvin Gayes, Curtis Mayfields, Bobby Womacks. The Gregory Issacs, Pat Kellys, Slim Smiths, Ken Boothes, John Holts, (the list could go on and on), who are the singers and songwriters kicking arse and trembling marrows in the 21st Century??

Today’s cut is courtesy of one of the afore mentioned legends, Jackie Wilson. A man who needs no introduction with his version of the hymn ‘O Come All Ye Faithful’

musicology #161

vocalgroupaction2 #6

(The Uniques – Lessons Of Love)

day six !! of the vocalgroup selection and the tunes just keep on coming…by now i’m sure you’ve realised that the two genres that feature heaviest on themusicologist are Soul & Reggae and today’s cut is no exception.

courtesy of one of the most ‘important’ of Jamaica’s vocal groups The Uniques whose previous incarnation, (The Techniques), had already played a huge part in shaping the vocal group sound of Jamaica with Duke Reid at Treasure Isle. (for an example of the Techniques work with ‘The Trojan’ take a listen to musicology #44).

but it was as this pivotal line-up, (Roy Shirley, Jimmy Riley, Lloyd ‘Charmers’ Tyrell and Keith ‘Slim’ Smith), produced by the Islands top producer at the time Bunny ‘Striker’ Lee that they rose to the top of Jamaica’s vocal group tree with a string of Rock Steady classics such as ‘Gypsy Woman’, ‘My Conversation’, ‘The Beatitude’, Love & Devotion, ‘Facts Of Life’ (to name a few)

briefly…Bunny Lee was a major figure in the evolution of Jamaican musicology especially during this period. One of the first, (the first being Cecil ‘ Prince Buster’ Campbell), independent producers to challenge Coxsone Dodd and Duke Reid he was instrumental in breaking the hold the two held over the music resulting in the emergence of other notable producers such as Derrick’ One Stop’ Harriott and Lee ‘Scratch’ Perry.

Recorded in Kingston at the Treasure Isle, (or W.I.R.L), studio in 1968.