musicology #342

AlternativeSoundtrack4 #9

(The Coasters – Snake and The Bookworm)

Not even half way through the film yet so looks like themusicologist is in for the long haul. I promised myself after the 12AngryMen alternativesoundtrack that I would relax the rule of only throwing down music from the year the film was released but on reflection feel that the harmonies involved are too compelling so as a compromise for The Hustler I’m restricting the music to the year the film was released, (1961), and the year preceeding it…1960.

Today’s piece of dialogue features Eddie and Sarah after having spent the last few days together. Not sure whether our man has been hustling during this time but if he has there’s no mention of it. Maybe they have found what they have both been looking for…someone to share a life with? that’s the way I’m reading it anyway.

The music is a piece of ‘Rock and Roll’ from one of the great vocal groups The Coasters, (this line up features Carl Gardner, Billy Guy, Cornell Gunter, Will “Dub” Jones and Albert “Sonny” Forriest), whose star, along with Rock and Roll’s was beginning to fade. Soul was stepping up to take it’s place because Rock and Roll was considered to have corrupted the nation’s youth !! but music is too powerful to control and what seemed at the time to be a more soothing sound was beginning to capture the attention of ‘the new breed’ who would take it on and use it to communicate a more powerful, (and popular), message of freedom and equality.

musicology #207

12AngryMen #4 (alternativesoundtrack #3)

(Chuck Berry – Too Much Monkey Business)

today’s dialogue hears some of the jurors laying out the reasoning behind arriving at their guilty verdict and begins to give us an insight into them as people. One thing’s for sure, with the amount of top quality dialogue in this film it could turn into a long musical journey..not sure I have enough 1957 cuts in the vaults to cope so might have to throw a few from previous years.

the slice of musicology is from, some say, the King of Rock & Roll…none other than Charles Edward Anderson Berry. About whom John Lennon was quoted to have said

“If you tried to give rock and roll another name, you might call it ‘Chuck Berry’.”

Taken from his first LP ‘After School Sessions’, (a favourite down Circus Street), released in, yep you guessed it, 1957. The song has been covered by Elvis Presley, The Beatles, The Yardbirds and The Kinks such was Chuck’s stature among musicians. If you listen to Bob Dylan’s ‘Subterranean Homesick Blues’ it’s almost the same song but with different lyrics.

musicology #205

12AngryMen #2 (alternativesoundtrack #3)

(Frankie Lymon & The Teenagers – I’m Not A Juvenile Delinquent)

day two of the 12 Angry Men selection and the ‘action’ begins. 12 jurors, 1 Room, Hottest day of the year…No Air-Con. The jockying has already started as Lee J. Cobb, (Juror #3), lets his feelings known on what he thinks the verdict should be.

themusicologist wasn’t even born in 1957 but from what I have read and heard the ‘Teenager’ had most definately arrived. Music, (Rock and Roll), being an example of this. The way I have understood it, before World War II music was made predominantly by and for ‘grown ups’.  Swing had begun to change that but by the time Rock and Roll emerged the writing was well and truly on the wall for who to target…Teenagers.

the slice of, (1956), musicology, (released in early ’57), is courtesy of 13 year old !! Frankie Lymon and The Teenagers, (Herman Santiago, Joe Negroni, Jimmy Merchant, Sherman Garnes), who epitomised the change as well as anyone. Of note is that the majority of the group members were of Puerto Rican descent, as was the kid charged with murder in the film, and half of the subjects of the original 1957 Broadway production of West Side Story.

musicology #65

Ike Turner Tribute #5 (Rocket88 – Jackie Brenstons Delta Cats – Chess – 1951)

couldn’t lay down a tribute to Ike without including the classic Rocket88. hailed by many as the first ‘Rock&Roll’ record. Teenage DJ Isiah ‘Ike’ Turner orchestrates and smashes the piano on this his first recording. vocal by Clarksdale’s Jackie Brenston it also features a saxophone break by 17 year old Raymond Hill, (the father of Tina’s first child).

recorded in the spring of 1951 by Sam Phillips and sold to the brothers Chess. Phillips used the money to found Sun a year later and the rest is Rock & Roll history. ‘written’ by Ike the song is largely based on Jimmy Liggins 1947 cut ‘Cadillac Boogie’ as well as boogie woogie piano legend Pete Johnsons 1949 piece ‘Rocket88 boogie’ but it’s not the song itself that is ‘new’ .. more the elusive & mystical ‘vibes’ produced in complete harmony by these ‘hepcats’ that just goes to prove that pieces like this don’t grow on trees.

for themusicologist it’s always a treat and one that satisfies no matter how many times I’ve had the pleasure.