BigGirlNow #1
(Dennis Brown – If I Had The World)
“To be a parent is to have undying faith in ones child”
Happy Birthday..Beautiful and precious Angel. Thank you for choosing me to be your dad.
“If I had the world, I’d give it to you girl….”
reggae mp3
musicology #553
Times #5
(Sound Dimension – Soulful Strut)
Wicked piece of instrumentalism, (Cover of the Young Holt Unlimited Soul Classic), from the Studio 1 house band of the period, (late 60’s – Early 70’s), known collectively as the ‘Sound Dimension’. (Cover of the Young Holt Unlimited Soul Classic)
musicology #548
Jamaica #28
(Ken Boothe – Be Yourself)
Top Ranking piece of Jamaican musicology sung by one of it’s greatest artists recorded for and released by it’s champion studio, (Studio 1), and backed by the cream of the island’s instrumentalists.
Doesn’t get better than this as once again I find myself sitting in the park on a scorching day..soaking up the rays…and listening to the sweet sounds of Jamaica. Not sure of the year but do I give a F**K?…no. Peace and love to the haters and doubters that would take pleasure from seeing me stumble and fall..don’t hold your breath ; )
LISTEN TUNE
musicology #547
Jamaica #27
(Bob Andy – Life)
Today’s 1972 cut features the magnificent and supremely talented Keith ‘Bob Andy’ Anderson, (for me one of Jamaica’s premier artists). Founder member of the Paragons whose songwriting is second to none. I must confess that over the past few weeks I have been suffering and once again it has been holding the musicology back so rather than allow my inner turmoil to stop the flow I’ll just let the music speak for a while…
Listen the ‘ride’…
“forget about stupidity,
discover your ability,
develop your creativity,
cultivate humility,
to bear the stormy weather….”
musicology #543
Jamaica #23
(Dennis Brown – No More Will I Roam)
Looking back over the past week on themusicologist I couldn’t help but notice my absence..in truth the weather was too nice and I had much street walking, hustling, networking, planning and dreaming to do and themusicologist had to take a back seat but the weather is still scorching so I’ll have to come up with a new plan for this week…ahh got it…more music less scribbles, (it’s the scribbling that takes ALL my time)
So with that in mind….forward up with the sweet sounds of JA.
Ranking piece from the ‘Crown Prince’ Dennis Emmanuel Brown produced by Winston ‘Niney the Observer’ Holness for his Obsever label in 1974.
Listen Tune..
musicology #542
Jamaica #22
(Horace Andy – Let Your Teardrops Fall)
Went to see Dean Chalkley’s ‘New Faces’ exhibition at the Book Club last night…Good night, Good music, (Led by the Cheeba), excellent venue and the photographs were absolutely spot on. What’s that got to do with the Jamaica theme? nothing but you know this is my musical diary so I just wanted to keep yers in the loop and inform the Cats and Kittens of how, (and where), this ‘stone’ known to some as themusicologist is rolling.
Anyway…back to Jamaica..and today’s cut is courtesy of the man Horace ‘Sleepy’ Hinds aka Horace Andy whose recording career started in 1966 under the guiding hand of heavyweight producer Phil Pratt but didn’t really go anywhere until he turned up at Studio 1 guitar in hand, (which he had spent the preceeding 4 years learning), and waxed ‘Got To Be Sure’ and ‘Something On My Mind’ and a star was born.
Today’s cut is from 1972/3. Don’t know who produced it and to be honest I don’t really care too much as for me it’s only ever about the music and not the information.
musicology #541
Jamaica #21
(Wailing Souls – Don’t Fight)
So as the 70’s begun Jamaican music yet again changed gear this time from the light soulful, and more accessible sounds of the 60’s into the roots and culture. Why? of course there are many reasons but the ones that stand out for me are 1: The artists were beginning to grow weary of being exploited by the producers 2: the social fabric of the island was rapidly disintegrating and 3: Rastafarianism was becoming ever more popular in the ghettos especially with the artists and musicians. Of course the Big producers couldn’t really get involved as they were, in essence, Capitalist.
Not surprisingly this change of gear didnt go down well with the record buying public ‘up a foreign’ who weren’t really interested in Ghetto music that talked about sufferation, poverty, exploitation, (no change there then) No they would rather hear about how much the sun shined, unrequieted love and how Jamaica was a paradise…a holiday destination that they could one day envisge visiting. Truth is that most people don’t listen to music to hear about harsh reality, (unless it’s glamourised of course), rather use music to escape reality. So Jamaican music turned inwards, (due mainly to internal demand), and the Roots & Culture came to dominate the dancehall.
I’m sticking with the roots, (as unpopular as it is), because for me it’s the essence of Jamaican, (and all come to that), music. Today’s cut is another one from the hallowed halls of Sir Coxsone Dodd’s Studio 1 sung by the MAJESTIC Wailing Souls. (essentially Winston ‘Pipe’ Matthews and Lloyd ‘Bread’ McDonald), Both born and raised in Trenchtown a Kingston district synonymous with Reggae producing greats such as Ken Boothe, Alton Ellis, Joe Higgs and the Wailers, (to name but a few), Joined in this period by the notorious Errol ‘Batman’ Wilson, (brother of Delroy), who was immortalised in the Slickers cut ‘Johnny Too Bad’. But it was as a quartet in 1969/1971 that they truly made their mark first at Studio 1 with a selection of cuts from where this one is taken and then following on at the Wailers label Tuff Gong.
LISTEN TUNE
musicology #540
Jamaica #20
(N Elliott & Noel Bailey – People Let Love Shine)
No rest for themusicologist as he moves, weaves, bobs, ducks, slips and slides his way out of one marrow trembler and into another one of my most cherished slices of ‘Sufferers’ but today it’s courtesy of Spanish Town producer Harry Mudie…The vocalists are N? Elliott and Noel Bailey..1971 cut on a Moodisc ‘Blank’
I’ll just let the cut speak..
musicology #539
Jamaica #19
(Rome – Lloyd Jones)
When I first heard this cut, (more than 20 years ago), I had to sit down. Still to this day I don’t know what it is about it that continues to tremble my marrow but as I live and learn about life through the ups and downs there are certain tunes that are an integral part of the soundtrack to my existence…this is one of them. The sounds that pulsed out of the Kingston ghettos during the early 70’s continue to speak with unmatched authenticity to my Soul and even though I am a big fan of Ska, Rocksteady and early Reggae it is this period, (the ‘Golden Age’), between 1970 and 1976 that really does it for me, (the 90’s too but we’ll have to wait until later to hear them)
The vocalist on today’s piece is Lloyd Jones, (a cat I know nothing about), but what I do know though is that, (as far as I’m concerned), music doesn’t get better than this. For 20+ years this cut has been a BIG part of my life. Why? can’t say for sure but it’s one of the tunes that I will NEVER tire of hearing. Larry, (the field), Marshall cut it at Studio 1 and I’m not sure who waxed the original but I think it’s this one….not that it matters of course and whether it’s called Babylon, Rome, the Shitstym, Capitalism or Globalisation it’s all just ‘The Game’ and I for one despise it. Sufferers all bleed the same colour blood and it’s always RED so be you black, white, pink, brown, yellow or blue this one’s for all of us…45 on the English Bullet label.
“From since I was a kid they have had me down as slave,
Keep pushing me everyday until they push me out of the way,
Woooooh Rome I want to go home,
Woooooooh Rome I can’t stay no longer in Rome”
musicology #533
Jamaica #13
(Dobby Dobson – Your New Love)
As 1968 came to an end so the Rocksteady evolved into the early Reggae retaining the essential flavours, (walking bassline and one drop percussion), but from my observations between 1969 and 1971 two, (almost), seperate identities emerged due, (as far as I am aware), to commercial pressure.
First there was the local sound system/dancehall market, (the lifeblood), to satisfy but also there was the export market which at the time meant England. Certain Mod/ernist’s, (or whatever you want to classify them as), took to Jamaican music straight away as early as 1962/3 and for some, (Steve Barrow for example), it turned into a lifetime’s commitment. These same hipsters seemed to embrace and recognise not only the musical quality but also the authenticity that for me is a critical aspect of Jamaican musicology. In many ways ‘Reggae’ has always been a commentary on the life and times of the sufferer and for some, (me included), that is magnetic. When I say sufferer I don’t just mean financial but also the emotional and just as importantly the social..
In England the Reggae captured a younger generation who had watched and listened as Soul, (and ‘Mod’), went overground which resulted in a look towards Jamaica for fresh inspiration. Contrary to popular belief, (and I have it on the authority of young Cats who were there), racism was not as much of an issue as has been portrayed. The universal language crosses all boundaries and the music of Jamaica spoke to both brown, black, pink and white as young kids connected through it.
I’m not sure about other parts of London but I do know that Reggae was BIG on the streets South of the River Thames in places such as Camberwell, Peckham, Brixton, New Cross, Deptford and Lewisham where Jamaicans settled. (Not forgetting Notting Hill, Shepherds Bush, Willesden and Harlesden of course). Was Jamaican music as prevalent in East and North London? I have no idea but for sure it reached out to many areas and not only in the Capital. Again I have no personal connection with Cities outside of London so I can’t comment but one look at the charts of the time shows that Jamaican music certainly had the potential to explode…
Feels a bit like I’m losing the focus so I’ll step out of the writing and on with the music otherwise i’m in danger of getting sidetracked by social history which as important as it is doesn’t really affect the quality of the music.
First up is an absolute classic from a singer who has already graced themusicologist with the original cut of ‘Loving Pauper’..Dobby Dobson. Can’t lay my hands on the 45 to credit the producer right now but I know it’s on Punch and the year of release was 1969
musicology #532
Jamaica #12
(Barrington Spence – Contemplating Mind)
Final cut of the Rocksteady and then it’s on to the ‘Moonstomp’ Reggae. But before that it’s time to roll one out from Sir Coxsone ‘Downbeat’ Dodd’s Studio 1. A cut featuring the vocal talents of Barrington Spence who began singing in the early sixties but stepped out of Kingston for a few years and didnt return until around 1966 whereupon he hooked up with Naggo Morris and Sylvan Clarke, (as the Soul Boys), and cut a few tunes at Studio 1 and Treasure Isle?
Just like to finish by adding that even though Coxsone got left behind a small piece during the Rocksteady, in part due to the emergence of producers such as those featured over the last week as well as his less than fair business practices concerning artists and musicians, he was still ‘swinging’ and turning out top quality music, (as today’s cut bears witness to), but it would be in the next phase of Jamaican musical development that he began to take back the crown and deliver the ‘golden age’ of Studio 1.
LISTEN TUNE…
musicology #518
Randoms #1
(Barrington Levy – Girl I Love You)
Wednesday already and I have yet to fling down this week…too busy trying to catch butterflies but as of yet no luck. I have a few themes lined up but none seem to be speaking to me so for the moment I’ll just roll with a few choice cuts from the vaults while I stand with open mouth and watch the butterflies dance.
First up is a, (1984), piece from the land of wood and water, (Jamaica), courtesy of the unmistakable Barrington Levy.. a 12″ on the Greensleeves label.
musicology #517
Duets2 #7
(Earth & Stone – Jailhouse Set Me Free)
Final cut on Round 2 of the duets theme and i’m finishing up with this mighty slice from sublime Jamaican duo Albert Bailey and Clifton Howell otherwise known as Earth & Stone. The pair first cut their musical teeth with Coxsone but quickly moved onto the Hookim brothers legendary Channel 1 in 1973 and for 5 years they recorded some of the finest ‘Rockers’ known to man.
Not 100% sure but I’m guessing that the top ranking rhythm track is courtesy of the majestic Skin, Flesh & Bones, (Lloyd Parks, Charles ‘Sly’ Dunbar and Ansel Collins), who were the backbone responsible for creating what became known as the revolutionary sound.
musicology #507
CoversWeek2 #4
(Cornell Campbell – Ten To One)
Slipping back into the sweet sounds of Jamaica for today’s cut with a piece by one of the islands great artists the MAJESTIC and pioneering Cornell Campbell . A Cat who begun his recording career at the tender age of 11 in the mid 1950’s for Coxsone, moved on to record with King Edwards in the mid 60’s, harmonised within ‘The Sensations’ for Duke Reid’s Treasure Isle, returned triumphantly to Studio 1 with ‘The Eternals’ and then begun a long solo career that continues HALF A CENTURY later to this day.
Here heard cutting his teeth on a Curtis Mayfield and The Impressions soul classic. As far as I’m concerned an absolute marrow trembler from start to finish and yet another musical diamond mined from the Studio1 archives. One listen should leave us in no doubt as to the influence both Curtis Mayfield and Coxsone Dodd had on Jamaican musicology….LISTEN TUNE.
musicology #504
CoversWeek2 #1
(Hortense Ellis – Sitting In The Park)
This week I’m revisiting an earlier musicology theme concerning cover versions. Cat’s got my tongue a piece today and I have plenty to do regarding ‘the project’ so I’ll just get straight down to business and kick off the proceedings with Hortense Ellis’s top ranking Studio1 version of Billy Stewart’s Soul classic ‘Sitting In The Park’. Always been a bit of a mystery to me why there are so few female singers to have emerged from Jamaica…The only three I can think of are Marcia Griffiths, Phyllis Dillon and Hortense Ellis?..During her career Hortense recorded for all the top producers Coxsone, Duke Reid, Lee Perry, Bunny Lee, Gussie Clarke but, (like 99% of all Jamaican artists), never had any great commercial success….shame.
musicology #481
PoliceAndThieves #6
(Junior Murvin – Police&Thieves)
Last day of this theme but before the final cut I would like to elucidate on the my thoughts and inspiration for laying it down. various parts of London, (and many other parts of the world), in the late 70’s and throughout the 80’s were a battleground as the old world began to give way to the new and the front line soldiers were the police. Stop and search was a BIG problem that only served to alienate ‘us’ from ‘them’. In my experience community policing gave way to bullying and now we live in a society where for many the Police are the oppressors.
Of course the argument could, (and does as far as some are concerned), run that fire needs to be fought with fire but on the other hand the Tao maintains that the ‘way’ to deal with ‘yang’ (fire) is with ‘Yin’ (water) and I have to state wholeheartedly that I agree..my recent experience has highlighted that fire burns whilst water soothes..anyone who has been in such a situation must know of what I speak?. I’m not blaming those individuals who join ‘the force’ as ‘a wo/man has to do what a wo/man has to do’ in order to survive. My belief is that the responsibility lies squarely on the shoulders of those who crack the whip….
Could only be this one to finish up..Junior Murvin’s international 1976 ‘hit’ … Supremely produced and mixed by Lee Perry.
musicology #478
PoliceAndThieves #3
(Gregory Isaacs – Mr Cop)
Hmmm..don’t know what’s happened to the ‘Thieves’ selection..just have to keep rolling with the Police then…
Today’s cut is from none other than the ‘Cool Ruler’ a Cat who has been delivering TOP ranking cuts for 40…YES 40 years. which in this age of here today and gone tomorrow is no mean feat. His recording career begun in 1968 but it wasn’t until hooking up with Errol Dunkley in 1973 and setting up their African Museum label that he began his rise to the top of the Jamaican music tree working with producers such as Niney, Gussie Clarke, Roy Cousins, Alvin Ranglin and Lee Perry sealed his status as one of Jamaica’s top vocalists throughout the 70’s and 80’s. Always ahead of the game Gregory was and still is an inspiration for all Ghetto youths.
Still making TOP ranking music Gregory is the yardstick by which all Jamaican vocalists are measured…with only Dennis Brown for company. Yes there are other singers who are as good but none surpass Gregory…Lee Perry production on this one.
musicology #449
3 Is TheMagicNumber #2
(Beres Hammond – Always Be There)
Small piece frazzled today..didn’t have a late one, (home by 1:30am), but people kept offering to buy me drinks once they found out it was my birthday and I know I could have refused or had water but I didn’t….got to change my poison from vodka as it doesn’t do me any favours the day after. In fact I very rarely drink alcohol, (only when I’m out on the tiles), so it should be easy for me to swerve it. Good night though spent with two true spars. the kind of friends that you would stand with under any circumstances no matter what the odds. I love them both dearly and always enjoy their company and spending the remainder of my birthday with them was a bonus on top of a fantastic day.
today’s cut is courtesy of another Jamaican musicologist and vocalist of the highest order who has already featured on themusicologist and will have his own week on here soon..Hugh Beresford Hammond with the type of cut the man is famous across Jamaica for delivering with all the sincerity and tenderness that could be poured into a song..from memory the 45 is on the Star Trail label which is responsible for many, many fine cuts of 90’s reggae. I’m shooting from the hip but, again from memory, I believe the year to be 1996/7
musicology #448
3 Is The Magic Number #1
(Gregory Issacs – Storm)
Today is my birthday..and I am having a great day..one of the best I have ever had ! Some beautiful and touching messages from my friends and loved ones..bought myself a wicked pair of ‘Rhythm & Blues’, (see Img below !!), slipping out for a few hours with two of my main spars and the icing on the cake…our children have arranged to take me out for a birthday meal…tears of joy.
As for the musicology…after the recent New York New York special, (words fail me), I would like to take this small window, (Christmas selection soon come !), to lay down 3 cuts in an effort to try and let the Cats know where I’m at..first up it’s one from the inimitable Cool Ruler. Jamaican music doesn’t get much better than when Gregry’ steps in to the studio, (or live on stage), and delivers. From 1968 right up to the present the legend has graced us with his ability to connect and communicate and this one is just one example out of, (quite literally), hundreds. Someone played themusicologist at his own game a few days ago and laid down a slice of Gregory which moved and inspired me and this piece is in reply. You know the score.
LISTEN TUNE
musicology #431
butterfly mind #1
(Delroy Wilson – Keep On Trying)
Over the last few days/weeks/months..maybe even years !! I have been doing a LOT of, (maybe too much?), thinking and subsequently find myself a bit lost as I wander through a maze of internal dialogue that seems to do nothing but ask questions.
The butterfly mind has that capacity, mesmerising to observe as it flutters from one place to another but a hard road to travel and extremely distracting. I don’t know whether ‘the road’ leads anywhere particular as, for me, it tends to be the journey more than the destination but responsibility both for self and others, (children), is a great leveller and something I take VERY seriously so it feels like I’ll have to turn my gaze from the butterfly and focus instead on building “a heaven on the earth”
as for themusicologist, I have spent too much energy searching for cuts that expressed my deepest feelings which has bottlenecked the flow of music. so from now my intention is to set the music free from the bondage of too much meaning and just try to lay down one slice a day that I feel like sharing. It will continue to be the soundtrack to my life but with a little more freedom.
first up…one from Delro’ (Wilson), Jamaican musicologist and sweet soul singer whose career stretches way back to the early sixties when he cut his recording teeth in 1963 at the tender age of 15, hooking up to Sir Coxsone, Downbeat the Ruler Dodd’s Studio 1. big 10 inch from the 1970’s on one of Coxsone’s many labels, (music lab).
themusicologist 