newmusicology

musicology #96

sixartist, sixtune, sixweekspecial #19

(Curtis Mayfield – Mighty Mighty Spade & Whitey)

this week it’s all about the king … Curtis Mayfield.

the cat was first introduced to me as a 2 year old in 1971 and the two albums that are burned into my consciousness are Curtis and the album this cut is taken from..Curtis Live.

my dad, (respect is always due), was a BIG Curtis fan and was responsible for introducing me to music that has always been a constant source of inspiration.

along with Bobby Womack, Bill Withers and Marvin Gaye, Curtis ran ‘tings down in Circus Street. there were many others who made an apearance but, (subjectively), these three are an integral part of themusicologist’s upbringing.

lyrics as hard as nails, music as tough as old boots and vocals full of integrity. I could do four different Curtis sets, producer, songwriter, singer and inspiration, such has been his impact on music. without Curtis Soul would have travelled a different path as would the music of Jamaica and his impact on UK music is most apparent in another of the six/six/six artists Paul Weller, (the other major player in the themusicologists personal growth)

the lyrics to this one are, for me, as good as it gets so now ladies and gentlemen themusicologist is proud to present…Curtis Mayfield

listen tune…

musicology #94

sixartist, sixtune, sixweekspecial #17

(Alton Ellis – Sun Of Man)

I was out last Saturday night celebrating what I sincerely hope is the start of something BIG for a valued friend who deserves all the success that comes his way. the cat is a constant source of inspiration and I would like to thank him for his support and for showing a way to navigate through these troubled times.

I mention this because it was much later on in the ‘wee wee hours’ of said night while kicking back at a pals house that I attempted to put on a Studio1 compilation, (The soul of Studio1, I think?), that was laying around…But there was one person, (not the man above I hasten to add), who objected with words to the effect of:

“not Reggae…anything but Reggae, I can’t deal with it…just not tuned in to it”

I was tempted to get all Socratic on the unit and challenge him on what he actually meant by those words…but in the spirit of the evening, I let it go..

don’t get me wrong…I’m certainly not suggesting that everyone has to like or listen to any and every form of music but to dismiss it purely because of what you think it might be is, for me, a mistake.

the point I suppose I’m making is that music belongs to us all no matter what our colour, class or creed and Alton Ellis is an emotive singer, full of pathos and musicology that deserves to be heard. a singer, songwriter and performer of the highest calibre who has been an important and valued teacher on themusicologists journey and no matter how many visits he gets this week continues to be a rock on which to tie my musical anchor apoun.

Mid seventies selection on the new york based ‘Clintones’ label.

musicology #93

sixartist, sixtune, sixweekspecial #16

(Alton Ellis – I’m Still In Love)

a piece of Valentines day musicology delivered by Mr Soul of Jamaica…Alton Ellis.

if it sounds familiar but you can’t quite place it this is the original cut to Trinity’s top ranking Saturday night special ‘Three Peice Suit’ which in turn spawned the more well known cut by Althea & Donna ..’Uptown Top Ranking’

musicology #92

sixartist, sixtune, sixweekspecial #15

(Alton Ellis – Hurting Me)

next piece from Mr Ellis…yet another Brentford Road, (Studio1), diamond.

one from out of the top drawer..with what sounds like the Heptones on backing vocals..definately Leroy Sibbles on the ‘four string’ delivering the essential bassline vibes.

Studio1, (and Leroy Sibbles in particular), pioneered the bass as an essential reggae ingredient. before him the bass was almost inaudible..maybe it was due to the fact that not only was Leroy Sibbles an all round musicologist in charge of arrangement, production, (after Jackie Mittoo left for Canada), and vocal duties but he was also resident bass player at the peak of the Studio1 sound.

stands to reason that he would favour the bass drenched approach, (although the ‘ganja’ must have had something to do with it too !!), anyway hold this top ranking cut sung by Alton with all the soul a man can muster…no wonder he was known as Mr Soul Of Jamaica…a richly deserved title…one of themusicologists favourite reggae cuts, slides into the dubwise..dancehall, discomix style.

musicology #15

(Maze – When I’m Alone)

back to the one tune with one of my favourite pieces of 80’s boogie.

Sunday afternoon ‘Soul spectrum’ selection … in training for the soul weekender next month.