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#0860 a Funky Space Reincarnation – Marvin Gaye

LadyEmma 3

“They’re both convinced
that a sudden passion joined them.
Such certainty is beautiful,
but uncertainty is more beautiful still.

Since they’d never met before, they’re sure
that there’d been nothing between them.
But what’s the word from the streets, staircases, hallways–
perhaps they’ve passed by each other a million times?

I want to ask them
if they don’t remember–
a moment face to face
in some revolving door?
perhaps a “sorry” muttered in a crowd?
a curt “wrong number” caught in the receiver?
but I know the answer.
No, they don’t remember.

They’d be amazed to hear
that Chance has been toying with them
now for years.

Not quite ready yet
to become their Destiny,
it pushed them close, drove them apart,
it barred their path,
stifling a laugh,
and then leaped aside.

There were signs and signals,
even if they couldn’t read them yet.
Perhaps three years ago
or just last Tuesday
a certain leaf fluttered
from one shoulder to another?
Something was dropped and then picked up.
Who knows, maybe the ball that vanished
into childhood’s thicket?

There were doorknobs and doorbells
where one touch had covered another beforehand.
Suitcases checked and standing side by side.
One night, perhaps, the same dream,
grown hazy by morning.

Every beginning
is only a sequel, after all,
and the book of events
is always open halfway through.”
― Wislawa Szymborska

musicology #591

Flow #10

Leon Ware – That’s Why I Came To California

Final cut of today’s 3 course ‘meal’ is one of my all time ‘Boogie’ favourites from a musicologist whose name should be known far and wide but sadly isn’t. Singer, song writer, producer, arranger who songs have been recorded by MANY a legend, Marvin Gaye, Bobby Womack, Minnie Ripperton, Donny Hathaway, Marlena Shaw, Quincy Jones and the list goes on..this one is from 1982. BIG tune…vocal duties shared and co written by Janis Siegel of Manhattan Transfer fame..

musicology #499

SoulBoy #18

(Bobby Womack – Tried and Convicted)

Final week of the Soul theme and who better as far as themusicologist is concerned to bring us down the final furlong than one of my most cherished artists Bobby Womack. As I have mentioned before, along with Curtis Mayfield it was Bobby Womack who had the most influence on a young child running wild on the streets of South London in the 1970’s. Cuts like I Can Understand It, If You Want My Love, O.V Wright’s That’s The Way I Feel About Cha, Stop On By, A Woman’s Got To Have It, Communication, (to name a few)…are all integral parts of the soundtrack to my existence. In fact often when I hear, (early 70’s), Bobby, Curtis, Bill Withers, Stevie and Marvin I can view the world through the eyes of a child once more. Music does that for me like nothing else can. I don’t think of what I was doing or wearing to identify the stepping stones in my life it’s ALWAYS what I was listening to and no doubt always will be. So without further delay, (and before I get all misty eyed),  hold this late 60’s slice of the Bobby Womack pie recorded for and released on the, (New Orleans powerhouse), Minit Label. Produced by Chips Moman

musicology #496

SoulBoy #15

(Sam And Dave – Goodnight Baby)

Staying on board the Soul Train for this week as there are far too many cuts and artists who have yet to be featured..Marvin Gaye, Bobby Womack, James Carr, Sam Cooke, Teddy Pendergrass, Al Green, Aaron Neville, Bobby Bland, Solomon Burke and on and on and on in fact a year still wouldn’t be long enough to dig deep into the Soul Cellar so another week is the LEAST I can do.

Too many pieces to choose from…must have lined up at least 5 cuts…just as I’m about to prepare one a next piece floats out of the speakers to distract my butterfly mind. So without further delay hold this piece from one of the great duets Sam Moore and Dave Prater. So electric were they on stage that Otis Redding refused to go on after them. 1965 release on the Stax Label.

musicology #490

SoulBoy#9

(O.V Wright – Motherless Child)

Wooooooooooooooooooooooooooooyyyyyyyyyyyyyyyyy. Lee Fields was so hot last night but the Menahan Street Band were on fire. Deeeeeeeeeeep Soul and funk that has to be heard and seen live to be fully appreciated. WHAT a show. EVERY song a winner. They almost tore the roof off at the Bloomsbury last night which considering its underground was quite a feat ! If you like Soul and Funk and they are playing in your town then do yourselves a favour and make sure you attend.

Bit of a dilemma as to what to lay down today? TOO MUCH choice on the Soul front and as I go to lay one down another comes up and ‘speaks’. Been listening to Legends like Marvin Gaye, Otis Redding, Sam Cooke, Al Green, Leroy Hutson as well lesser known but just as majestic Cats like James Carr, O.V Wright, and a whole host of 45’s from the 60’s and 70’s so rather than face the dilemma I’m just going to lay down this 60’s Soul marrow trembler and be done…..Recorded for and released on Don Robey’s BackBeat Label in 1965, (from the album If It’s Only For Tonight)

musicology #482

SoulBoy #1

(The Miracles – I’ll Try Something New)

Waiting for the inspiration for a new theme it suddenly arrived yesterday out of nowhere… Soul. Why? well…above all musical genres Soul is in my flesh, blood and bones. Deeply ingrained from before I was born. allow me to outline my historicity

My mum and dad were both Original London Mod/ernists from 1962 and anyone who knows will agree that the authentic soundtrack to Mod/ernist is Soul…Rhythm & Blues too of course but whereas Rhythm&Blues had been around for many years Soul was ‘modern’ (albeit a fusion between Doo Wop and Gospel).

Between 1958 and 1960 the seeds of Soul were sown as the cultural boundaries began to be crossed in earnest and as is often the case it was music that blew the trumpet for change loud and clear. No more would the universal language be categorised strictly by ‘Race’ (my belief is that it’s the only language that speaks to all regardless of colour, nationality or creed). Artists such as Sam Cooke, Jackie Wilson, James Brown, Smokey Robinson, Jerry Butler, Curtis Mayfield, Gene Chandler, Dee Clark, Otis Redding, Solomon Burke, Wilson Pickett, Marvin Gaye, (along with a whole host of lesser known but just as illuminating singers, songwriters and musicologists), began to flex their musical muscles and craft the ‘new lick’ without the backing of Corporate thieves and vultures.

In December 1968 themusicologist was born with the soundtrack of Soul ringing in my heart and soul and from that day to this it has been ever present. Beginning with the ‘classics’ I have matured throughout the 70’s 80’s 90’s and into the 21st Century with the heartbeart of such priceless musicology as the soundtrack to my existence. There have been and are many other genres that have had a profound impact on the I but Soul still is (and always will be), my first musical love.

Kicking off with one of my favourite early Soul cuts courtesy of the pioneering  ‘Miracles’ who first recorded in 1958 for Chess, but it wasn’t until hooking up to Berry Gordy’s fledgling Motown Label that the musical sparks began to truly fly. Just like to add that without doubt The Miracles were a foundation stone on which the Berry Gordy empire was built…

musicology #461

TheManWithTheBag #11

(Jackie Wilson – O Come All Ye Faithful)

Just got back to the ‘Big Smoke’ after  a few days spent in natural paradise with two angels. The landscape up there, (North West England), never fails to inspire me and I always come back with a bit more of a ‘Tigger Bounce’ in my step. Knocking on the Christmas door now as we come down the home straight. Tree’s up, presents beneath it, kids excited. Just have a few more things to do and then it’s kick back time from tomorrow.

A question for you all out there..has the quality of song writing, (and singing come to that), gone downhill over the last few years or am I just not being exposed to the ‘right’ material? don’t know if you noticed but I listen to a LOT of music from as far back as the early 20’s all the way through to today and if the term ‘popular’ has any meaning/value as far as making judgement is concerned then the quality of pop today is, (generally), to my ears..poor. By NO means am I suggesting that quality music isn’t still being made as I don’t need to listen any further than Master Terry Callier, (for instance), to know that marrow trembling cuts are still being made but as I listen to the ‘charts’, (not out of choice but due to having two children over the age of ten), I can’t help but be disappointed. Where are the Dinahs, Arethas, Maxine Browns, Etta James’s? the Sam Cookes, Otis Reddings, Jackie Wilsons, Clyde McPhatters, Ben E Kings, Smokey Robinsons, Marvin Gayes, Curtis Mayfields, Bobby Womacks. The Gregory Issacs, Pat Kellys, Slim Smiths, Ken Boothes, John Holts, (the list could go on and on), who are the singers and songwriters kicking arse and trembling marrows in the 21st Century??

Today’s cut is courtesy of one of the afore mentioned legends, Jackie Wilson. A man who needs no introduction with his version of the hymn ‘O Come All Ye Faithful’

musicology #441

Fragments #7

(Gil Scott Heron – Inner City Blues)

“Four vital functions as basic as the four elements: Sexuality, sociality, ideation and glory. Or: pleasure, speech, thought and prestige.
Being deprived of any of the four leads to stupor and death.”

Final piece of the Fragments selection..could have gone on for a while longer but new inspiration is knocking on themusicologist’s door so tomorrow I’m rolling out a new theme…just like to finish the ‘Fragments’ by paying a final tribute to Baudrillard for delivering such profound insights into the age of banality that we find ourselves inhabiting..for me the Cat penetrates some dark corners with illuminating observations.

What better way to wind up this session than with a combination of Marvin Gaye and Gil Scott Heron..I’ll say no more and just leave it up to the two of them to lay it on you.

musicology #372

SuchIsLife #6

(Bill Withers – World Keeps On Going Around)

Final slice of the SuchIsLife theme…which for me have been less demanding mentally than the two that preceeded it so I’m almost tempted to stick with it but, there’s a subject that I would like to share that is not only close to my heart but has informed the I since birth and that subject is ‘Modernist’. I’ll say no more about it until tomorrow when it kicks off.

Back to today though and what more authentic way to finish than with this cut from a Cat whose influence on themusicologist stretches way back to the early seventies when as a toddler he was often to be heard, (along with Bobby Womack, Curtis Mayfield, Marvin Gaye and Stevie Wonder), drifting out of the speakers. Especially this 1973 album ‘Live At Carniege Hall’ which has been etched into my consciousness from the age of 4. Exceptional album from an exceptional Lyricist, Singer, Social Commentator and Performer. Still moves me and always will..every slice a winner. Not often that themusicologist makes recommendations but if you get the chance buy this album.

“Looking at the pictures of the places that he’s been,
Old man told me what he found,
Said it don’t make no difference whether you’re out or whether you’re in,
Know the world keeps going round and round,
Going round and round,

Said he looked at the places, and talk to the faces that he seen,
Then he turned the pictures upside down,
Said it don’t make no difference how many places that you been,
Said the world keeps going round and round,
Going round and around,

Then  he put up the pictures shook his head and with a grin,
He talked about his ups and downs,
Said it don’t make no difference how many fixes you been in,
Know the world keeps going round and round,
Going round and around,

Betty Joe Johnson, don’t you pull no Daisy Mae on me,
Daisy Mae she did me dirty,
so I had to leave her for Anna Lee,
Anna Lee she had big street feet,
she spends her nights out on the road,
So I started seeing Sally Jackson,
I had to let old Anna Lee go,
Sally Jackson was a player,
had another man along with me,
So I just took me one step backwards,
checked up on old Anna Lee,
Anna Lee still had them street feet,
Like to dance all night and sleep all day,
So I just took one more step backwards,
checked up on old Daisy Mae,
Daisy Mae is still doing dirty,
so I tell you what I had to do,
I had to go just one step further, Betty Joe Johnson
And that’s how I know you,

Then he looked at the places, talk to the faces in life that he had seen
Then he turned the pictures upside down,
Said it don’t make no difference how many places that you been,
Said the world keeps a going round and round,
Going round and round”

musicology #338

AlternativeSoundtrack #5

(Barrett Strong – Money)

Not sure how fresh in your memory the film is? but this next scene is the one where Eddie, who has been drinking JTS Brown, (Bourbon), straight out of the bottle for hours is beginning to look tired as the alcohol takes it’s toll. Minnesotta Fats on the other hand steps into the washroom, combs his hair, washes his hands, puts on his suit jacket and looking as fresh as a daisy, (he’s been drinking Whiskey too), delivers a killer line of dialogue and proceeds to ‘wet’ the kid up.

“Fast Eddie……”

The accompanying slice of musicology is a famous 1960 cut on the Tamla, (Motown), label from Barrett Strong the rip roaring cut that catapulted Motown into the spotlight, (where it stayed for more than 20 years). Strong went on to become one of Motown, (and Soul’s), premier songwriters who, in collaboration with partner Norman Whitfield, wrote many a classic for Cats such as Marvin Gaye  ‘I Heard It Through The Grapevine’, Edwin Starr ‘War’ and The Temptations ‘Papa Was A Rollin’ Stone’.

musicology #243

soul&boogie #4

(Maze – Before I Let Go)

Boogie of the highest order from the legendary Maze featuring of course Frankie Beverly. Too many bombs dropped by them to list and every one a winner. Already featured twice on themusicologist so no need for the introduction. This one, released in 1981has got it all..lyrics, vocals, production and of course impeccable syncopation.

musicology #220

12AngryMen #15 (alternativesoundtrack #3)

(The Marquees – Wyatt Earp)

end of the 12 angry road. the not guilty count is now 11-1. last man standing is Lee J Cobb whose personal vendetta against juveniles is obviously related to how he feels about his own son which, is not enough of a reason to send a teengaer to the ‘chair’ when all the evidence has been shot down in flames.

this last piece of the musicology pie is another from the OKeh label featuring a young drummer by the name of Marvin Pentz Gay whose recording career begun on this piece. signed to the label by Bo Diddley the record was a commercial failure so Bo introduced them to Rhythm& Blues legend Harvey Fuqua who incorporated them into his New Moonglows in 1957.

around 1958/9 Fuqua moved to Detroit, married Gwen Gordy, set up a couple of his own labels and when Berry Gordy convinced him to be an influential part of Motown introduced Marvin to the fold. and the rest, as they say, is history.

musicology #46

vocalgroupaction .. day5

(Sincerley – Moonglows)

theres no way this one could have been left out of the vocalgroup selection. for themusicologist the benchmark against which all vocalgroupaction is measured. first heard this sometime in the early 70’s through a foundation musicologist who has often been the catalyst for introducing new sounds and it still sounds at least as sweet now as it did more than 30 years ago … amazing how music can trigger detailed memories, I can almost reach out and touch them.

One of these cats, Harvey Fuqua, (not singing lead on this one), was instrumental in the development of the vocal group sound eventually moving on, (with protege Marvin Gaye), to Detroit where he worked his creative magic and helped build the Motown Sound … Released in December 1954 on the Chess label out of Chi’

musicology #36

doublebubble .. day 2

(Marvin Gaye & Tami Terrel –

a match made in heaven .. this pair of songbirds were the first to record this ashford and simpson penned number in 1967.

shortly after, at the tender age of 22, Tammi collapsed on stage, (in Marvin’s arms), and was diagnosed with a malignant brain tumor. Her health deteriorated and she died in 1970. Marvin devastated, retreated into near isolation, (as well as other things to ease the pain), and wrote ‘What’s Going On’ still the only authentic LP loaded with hard hitting environmental questions.

so this one is not only for the two of them, but for all of us that appreciate how short, (and cruel), life can sometimes be …