musicology #378

Modernist #6

(The Impressions – Say It’s Alright)

I was going to end this theme tomorrow but on reflection there’s too much music yet to be featured and such is the quality of the dialogue from the commentators I’m letting it run for another week.

A large part of the debate has been the use of the word ‘Modernist’ and whether it was in fact used by anyone at the time? with that in mind hold this quote from the book ‘Soul Stylists’ compiled by Paolo Hewitt which is full of anectodes from Cats who claim, (and I see no reason to believe they are lying), to have participated in the ‘nameless thing’ of the early 1960’s.

“The bands from our youth club in Hastings were dressed like The Shadows on the cover of their first album; very neat red jackets, dark ties and white shirts. Then I spotted these strangely dressed guys from another school. They had short Italian haircuts and they wore bum freezer jackets with cut away collars and half belts on the back, narrow ties, tapered trousers with slits up the sides and side laced winklepickers. I went up to one of them and asked;
“Why are you dressed like that?” and he spoke the immortal words;
“Because I’m a Modernist”

The cat’s name is Lloyd Johnson and no date is mentioned but from the sounds of the ‘clobber’ it’s likely to have been before 1964

From themusicologist’s perspective what is beyond doubt are the release dates of the music contained on the theme which is obviously, (in almost all cases), not subjective and delivers insight into the most important aspect of any ‘scene’..the music and today’s cut is, in my mind, one of the greatest pieces of mod/ernist musicology of the period from quite possibly the driving force behind the winds of change none other than Curtis Mayfield who has featured heavily on themusiciologist over the last few years but also in my life since babe in arms.

hold this next quote on today’s cut from a book on the legend by author Peter Burns.

“Recorded in August 1963 the horn arrangement, a suggestion of Mayfield’s, took it’s inspiration from a Bobby Bland single but the idea for the song itself had come from a conversation between Curtis and Fred, (Cash, member of ‘the holy trinity’), one night when the Impressions were on tour in Nashville. Mayfield was effusively expounding some ideas and future plans and Cash was interjecting from time to time and concurred with “Right” and “Well that’s allright”, suddenly Curtis had a hook line ‘Say It’s Alright’. They cut this historic track at Universal studios in Chicago just two months after Curtis’s hit production of Major Lance’s ‘The Monkey Time’ which was still riding high on the charts. All the vital elements came together and this modern classic brought The Impressions back even stronger than before”.

Released on ABC-Paramount and arranged by Johnny Pate

“Say It’s alright, (it’s alright), say it’s alright, (it’s alright),
It’s alright have a good time cause it’s alright wooohh it’s alright,
We’re gonna move it slow, when lights are low,
When you move it slow it sounds like a moan and it’s alright wooohh it’s alright
Now listen to the beat, trying to catch your feet,
You got Soul and everybody know that it’s alright wooohhh it’s alright,

When you wake up early in the morning feeling sad like so many of us do,
Hum a little Soul make life your goal and surely something’s gotta come to you,
And say it’s alright, say it’s alright…it’s alright have a good time cause it’s alright woohhh it’s alright,
Now everybody clap your hands give yourself a chance,
You got Soul and everybody know that it’s alright wooohh it’s alright,

Some day I’ll find me a woman who will love and treat me real nice,
Then my roams? gotta go and my love she will know from morning noon and night,
And she’s gotta say it’s alright..say it’s alright,
It’s alright have a good time cause it’s alright woohhh it’s alright,
Now everybody clap your hands, now give yourself a chance…you got Soul now baby..”

musicology #32

mans week day 5

(Major Lance – Um, Um, Um, Um, Um, Um)

“Iiiiiiiiii just couldnt help myself, guess I was born with a curious mind,
Iasked this man just what did he mean when he moaned if he’d be so kind .. and he just go” …

the article mans tune. um, um, um, um, um, um .. I can only imagine what it would have been like to hear this one on the streets of London Town back in early1964, (Released in US, December 1963), maybe somewhere like The Scene for instance, (the first club of it’s type in London) or even The Disc’ .. 150% MOD tune .

must have heard it at least a 100 times over the years but NEVER fails to tremble me marrow. no surprise though as, again, it has father Curtis at the helm. Lyrics, choice of singer, arrangement. probably even played on the session such was his genius. not forgetting the contributions of Gerald Sims and of course Carl Davis who together with Curtis were most responsible for reviving OKeh’s fortune as well as leading the direction Soul took from 1962.

musicology #19

(Delilah – Major Lance)

themusicologist is as much about the sharing of knowledge as the music itself. this fling is a fine example of what musicology means to me.

we were at a dear friends daughters second birthday bash, (happy birthday Nova), on Sunday and one of the guests was a beautiful baby girl whose name is this songs title.

of course as themusicologist there was only one thing to do and I enquired as to whether the child and parent were aware of the TOP tune I am about to throw down…as the answer was no I proposed to attach it to an email, (I would consider changing my name to be associated with such a slice of musicology), but this way it gives themusicologist a chance to indulge his passion for this singer, this particular tune and even more importantly the song writer/producer/musical genius whose message has been a constant inspiration throughout my whole life so without further ado .. this ones for you D*****H … from themusicologist.