Jamaica

musicology #111

sixartist, sixtune, sixweekspecial #34

(Karl Bryan & The Afrokats – Money Generator)

no post yesterday…got caught up in too much ‘he say she say’ which took the wind out of themusicologists sails so couldn’t find the enthusiasm and motivation to invest the time, emotion and energy required for posting so thought it best to let yesterday go.

it’s a hard life and no mistake when you have to fight every inch of the way…it’s relentless and you can’t let your guard down for a minute and when you do there’s always someone ready with a metaphorical, (or if you’re really unlucky a physical), snaking jab, right hook, ‘glasgow kiss’ or a good old kick in the bollocks to remind you of the ‘struggle’.

anyway enough of that…just wanted to let youse know where themusicologist is ‘at’ and why I left you ‘swinging’ yesterday. Todays cut finds Jackie Mittoo keeping not only keeping time with his organ playing but also supervising, arranging and maybe even writing the music for this session.

for themusicologist this period of Studio1 musicology is beyond compare…the Golden Age where everyone involved at Brentford Road was at the top of their ‘game’.

One of the reasons Studio1 became such a mecca for the islands musicologists is that Coxsone would let the cats smoke the collie at the Studio, (something that no other recording studio allowed at the time), helping create the vibes that allowed such innovative and emotional music to flow.

We all know that many a musician has leaned on the ‘green crutch’ throughout history and Jamaica is no exception…no doubt it enhances creativity, supresses hunger and ‘packs up your troubles in the old kit bag’ while under the influence and Coxsone who didn’t encourage it, but was smart enough to know it’s positive qualities, turned a blind eye.

love this haunting, melancholic, emotion charged slice of musicology and for me the title nails it it two words.

musicology #109

sixartist, sixtune, sixweekspecial #32

(Bob Andy – Feeling Soul)

Donat Roy Mittoo was born in Kingston, (on March 3rd 1948), and grew up around music as language.

a child prodigy it was Clement Seymour Dodd, (Studio1 Boss), who presented him with the opportunity as a teenager (16 !!), to not only supervise the sessions at his newly formed Brentford Road Studio but also be a founder member of the legendary Skatalites…..

So let’s get that clear, Jackie Mittoo, (at the age of 16), joined some of the cream of Jamaican musicologists to heaed the greatest instrumental group to come out of Jamaica, as well as supervise the recording sessions at the birth of Studio1.

as that sinks in hold this next cut..it’s a Bob Andy classic from around 1969 I would imagine but it’s got Jackie all over it, (organist, arranger, musicologist), the only other backing musician I can be sure of identifying would be Leroy Sibbles playing bass..

musicology #108

sixartist, sixtune, sixweekspecial #31

(Jackie Mittoo – Juice Box)

final week of the six/six/six…and themusicologist would like to take this opportunity to let you know how much I have appreciated your support..last month, (and last week), set new records on themusicologist for ‘viewers/listeners’ which is encouraging. it means a lot to me to know that you are feeling the selection.

just as Soul would have taken an alternative route without Sam Cooke and Curtis Mayfield..the musical arts of Jamaica wouldn’t sound like they do without this next ‘artist’ whose skills as arranger, composer, player of instruments and ‘eye of the needle’ at the legendary Studio1 are well known to all who listen to Jamaican music.

many a great singer, song writer and instrumentalist has sprung from Jamaica’s well of musicologists but Jackie Mittoo’s contribution to developing the music known now as ‘Reggae’, (a one size fits all label that doesn’t have much meaning), demands and deserves a tribute selection in his honour.

this first cut from the album ‘Keep On Dancing’ was recorded and released in 1969 and features the man in his role as ‘Organist’, (one of the instruments that he went on to perfect..ranking with the best of ’em), wicked piece of Jamaican Funk for your Monday musical pleasure.

musicology #95

sixartist, sixtune, sixweekspecial #18

(Alton Ellis & Eddie Perkins – My Heaven)

last of the Alton selection..and it’s this one from the earliest days of Jamaican musicology…recorded for none other than Clement Seymour Dodd. The second of his two cuts with Eddie Perkins as the duo Alton & Eddie from 1959, (cut three weeks after his first recording ‘Muriel’)

Alton..thank you for the music.

p.s next week it’s the turn of themusicologists first musical icon..Curtis Mayfield.

musicology #94

sixartist, sixtune, sixweekspecial #17

(Alton Ellis – Sun Of Man)

I was out last Saturday night celebrating what I sincerely hope is the start of something BIG for a valued friend who deserves all the success that comes his way. the cat is a constant source of inspiration and I would like to thank him for his support and for showing a way to navigate through these troubled times.

I mention this because it was much later on in the ‘wee wee hours’ of said night while kicking back at a pals house that I attempted to put on a Studio1 compilation, (The soul of Studio1, I think?), that was laying around…But there was one person, (not the man above I hasten to add), who objected with words to the effect of:

“not Reggae…anything but Reggae, I can’t deal with it…just not tuned in to it”

I was tempted to get all Socratic on the unit and challenge him on what he actually meant by those words…but in the spirit of the evening, I let it go..

don’t get me wrong…I’m certainly not suggesting that everyone has to like or listen to any and every form of music but to dismiss it purely because of what you think it might be is, for me, a mistake.

the point I suppose I’m making is that music belongs to us all no matter what our colour, class or creed and Alton Ellis is an emotive singer, full of pathos and musicology that deserves to be heard. a singer, songwriter and performer of the highest calibre who has been an important and valued teacher on themusicologists journey and no matter how many visits he gets this week continues to be a rock on which to tie my musical anchor apoun.

Mid seventies selection on the new york based ‘Clintones’ label.

musicology #93

sixartist, sixtune, sixweekspecial #16

(Alton Ellis – I’m Still In Love)

a piece of Valentines day musicology delivered by Mr Soul of Jamaica…Alton Ellis.

if it sounds familiar but you can’t quite place it this is the original cut to Trinity’s top ranking Saturday night special ‘Three Peice Suit’ which in turn spawned the more well known cut by Althea & Donna ..’Uptown Top Ranking’

musicology #92

sixartist, sixtune, sixweekspecial #15

(Alton Ellis – Hurting Me)

next piece from Mr Ellis…yet another Brentford Road, (Studio1), diamond.

one from out of the top drawer..with what sounds like the Heptones on backing vocals..definately Leroy Sibbles on the ‘four string’ delivering the essential bassline vibes.

Studio1, (and Leroy Sibbles in particular), pioneered the bass as an essential reggae ingredient. before him the bass was almost inaudible..maybe it was due to the fact that not only was Leroy Sibbles an all round musicologist in charge of arrangement, production, (after Jackie Mittoo left for Canada), and vocal duties but he was also resident bass player at the peak of the Studio1 sound.

stands to reason that he would favour the bass drenched approach, (although the ‘ganja’ must have had something to do with it too !!), anyway hold this top ranking cut sung by Alton with all the soul a man can muster…no wonder he was known as Mr Soul Of Jamaica…a richly deserved title…one of themusicologists favourite reggae cuts, slides into the dubwise..dancehall, discomix style.

musicology #91

sixartist, sixtune, sixweekspecial #14

(Alton Ellis – You Make Me Happy)

day two of the Alton selection is a piece from the early 70’s cut for Jamaica’s dominant production house, Coxsone Dodd’s Studio1. After a succesfull spell at rival Duke Reid’s Treasure Isle singing rocksteady classics Alton returned to Studio1, (I imagine), as the sweet and heavy sounds coming out of Brentford Road at that time were second to none, (Treasure Isle was also on it’s last legs)

With musicologists such as Jackie Mitto and Leroy Sibbles, (to name but two), at the controls the Studio1 sound had evolved into something special as well as unique and no studio could contest Dodd’s during this period. (it would take Channel 1, structured on the Studio1 sound, to try and wrest control from Coxsone in the mid 70’s),

Alton and Coxsone collaborated successfully at the birth of the Jamaican music industry in 1959 and although there would have been no love lost due to their previous financial dealings both knew their musical ‘onions’ inside out and had great respect for each others musical knowledge so a reunion was always on the cards…Alton Ellis had a very special quality that few possess, namely to make any tune sound like his own..

this song, (extended dancehall ‘discomix’), co written by Brenda Holloway and Frank Wilson, was made ‘famous’ by the group Blood, Sweat & Tears but for themusicologist Alton’s is the one that does it most justice…

for another example of the man’s special quality check Alton’s rendition of the Bee Gees song Massachusetts, (musicology #60), thrown down during ‘coversweek’

musicology #17

(Carlton & His Shoes – This Heart Of Mine)

majestic piece of reggaematical musicology for our listening pleasure.

no surprise that the cream of Jamacia’s musicologists are sitting down on this session as the harmony speaks for itself.