musicology #449

3 Is TheMagicNumber #2

(Beres Hammond – Always Be There)

Small piece frazzled today..didn’t have a late one, (home by 1:30am), but people kept offering to buy me drinks once they found out it was my birthday and I know I could have refused or had water but I didn’t….got to change my poison from vodka as it doesn’t do me any favours the day after. In fact I very rarely drink alcohol, (only when I’m out on the tiles), so it should be easy for me to swerve it. Good night though spent with two true spars. the kind of friends that you would stand with under any circumstances no matter what the odds. I love them both dearly and always enjoy their company and spending the remainder of my birthday with them was a bonus on top of a fantastic day.

today’s cut is courtesy of another Jamaican musicologist and vocalist of the highest order who has already featured on themusicologist and will have his own week on here soon..Hugh Beresford Hammond with the type of cut the man is famous across Jamaica for delivering with all the sincerity and tenderness that could be poured into a song..from memory the 45 is on the Star Trail label which is responsible for many, many fine cuts of 90’s reggae. I’m shooting from the hip but, again from memory, I believe the year to be 1996/7

musicology #435

Fragments #1

(Beres Hammond – Giving Thanks)

New theme starts this week the title of which is owed to the small book that I have just read and been inspired by, (this theme could run for a while).The author is Jean Baudrillard and what I plan to do is highlight one ‘fragment’ every day and lay it down here. First up;

” History reproducing itself becomes farce. Farce reproducing itself becomes history”

backed up by a random slice of musicology that is not necessarily connected to the quote but has also ‘spoken’ to me recently….

On the subject of inspiration I would like to take this opportunity to pay a special tribute  to a true friend, (and they don’t grow on trees), whose company I had the PLEASURE of sharing on Friday night and well into Saturday morning who has been a constant source through these troubled times…and I hope will continue to be forever..you bring the sun out..thank you.

The cut is from the magnificent Hugh Beresford Hammond..Jamaican musicologist of the first degree..whose career stretches back into the 70’s and is yet another Jamaican singer and songwriter who deserves far more international exposure than he has received especially when there is so much po(o)p out there these days..anyway, rather than launch into a tirade about the state of the music industry I’ll just let Beres ‘speak’

musicology #195

teachings of billionaire YenTzu #5

(Beres Hammond – Focusing Time)

Guiding The Horse, (Governing Your Willpower)

The horse reared in fright as the shrouded man walked unexpectedly onto the path and startled it.

‘Ho there,’ gried the carriage driver, struggling to regain control of his animal. ‘What devil does such a thing! What do you think you are doing suddenly appearing like that?’

‘In peace, I am no devil, moreover, if there were a demon it is within your hand, creating a reign of terror upon unsuspecting travellers,’ answered the man.

‘You are either a sage or a simpleton, speaking as you do,’ said the carraige driver. ‘The former I’ll wager, for any fool can see that this powerful horse has been finely trained and is well harnessed,’

‘Of what good is the strength of a horse and the control of a harness, if the direction of the will guiding the driver’s hand is elsewhere?’ said the sage. ‘It is clear that you are on this road against your will.’

‘What nonsense do you speak of?’ retorted the carraige driver, wondering how the sage had hit upon the truth with his last remark. ‘Explain yourself, or you’ll feel the lash of more than my tongue!’

‘The fine carraige in which you sit can be likened to the body; the powerful horse to your feelings and desires; you, as driver, are like the mind; and your will is the master of them all. Will is the development of a wish, the command that turns a wish into an action. It is clear that you have no wish to travel wherever you now go, because your will was not ready for the unexpected. The unexpected is the test of true constancy, Man’s self-governing key. You did not wish this trip, so, your will lacked the tenacity, steadfastness, stability and fortitude that a road such as this demands. A resolute will has power, control and direction working together. When man lacks this unity, his lack of will is plain for all to see, no matter how he may disguise it.’

‘In truth I have no desire to make this trip,’ said the carraige driver. ‘But the will of my master is such that I have no choice, though in my heart I know misfortune will come of the business I am ordered to do.’

‘It is indeed far easier to train a wild beast than educate one’s own will to perform, because of Man’s uncertainty as to what he really wants,’ replied the sage. ‘That is why Man continues to yield the power of his own will to the will of others and calls it destiny.’

musicology #153

duets2 #2

(Beres Hammond & Marcia Griffiths – Live On)

I had planned on throwing this one down yesterday but for some unknown reason my internet connection was playing tricks and locked me out of the ‘information highway’
so i’m taking this opportunity to fling it now in case it happens again.

day two of the duets selection is one of the tunes that drew me back to the sweet sounds of Jamaica in 1993 after a year spent in the musical wilderness waiting to be inspired after 5 years listening, playing and DJ’ing ‘house’ which by then had made the transition from under to overground and was being used to to sell cat food, yoghurt, etc …

the male vocal comes from the pipes of the mighty Beres Hammond whose career stretches back to the early 70’s but for themusicologist it was throughout the 90’s that he established himself as one of Reggae’s greats. one of those rare artists who rarely seem to put a foot wrong, (Bobby Bland is another who springs to mind), this cat could charm the birds out of the trees with his blend of harmony, sincerity and effortless timing.

the female vocal is courtesy of the queen of Jamaican music .. Marcia Griffiths. whose career stretches way back into the sixties, first as solo singer, (1964), then in tandem with Bob Andy, (musicology #37), then as member of Bob Marley & the Wailers backing group the I-Threes.

this piece, (which I never tire of hearing), produced by Donovan Germain for his trend setting Penthouse label is a slice of the ‘College Rock’ rhythm from 1992/3, a ‘digital’ reworking of Jackie Mittoo’s late 60’s Studio1 cut ‘Freak Out’…

beautiful song sung expertly by two of Jamaica’s premier vocalists….one especially for all the couples out there who understand what it takes to hold on when the road is rough and rocky.

“live on….”