musicology #485

SoulBoy#4

(Keni Burke – Risin’ To The Top)

Like I mentioned yesterday…time ain’t on my side for the next couple of days so can’t wax lyrical about today’s artist. Multi talented singer, songwriter, bass player, (today’s cut being a prime example), who wrote his first ‘hit’ at the tender age of 13 for Curtis Mayfield’s Windy C label.

Hip Hop fans, (as well as ‘Soul Boys’), will instantly recognise the BassLine which has been sampled by artists such as Doug E Fresh, Big Daddy Kane, LL Cool J, Pete Rock & CL Smooth, Mary J. Blige, and OC as well as providing the inspiration for legions of producers. The Jones Girls 1983 cut ‘All Night Long’ was 80’s Soul at it’s finest and of course it was this piece that preceeded it…would Love to share more of the Cats ‘medals’ with you but I HAVE to be out the door in ten minutes so without further delay hold this majestic slice of the 80’s Soul and Boogie pie…

musicology #484

SoulBoy#3

(D-Train – You’re The One For Me)

for the next 3 days, (starting today), themusicologist is going AWOL so the SoulBoy posts are going to be short but, at least as far as the music is concerned, sweet. Truth is I am starting a foundation course today and I’ll be busy with it until Sunday night so with that in mind…

Today’s cut is a classic piece of Soul from the early 1980’s. BIG on the Jazz Funk scene that rocked London’s underground towards the end of the 70’s, (in reaction to the commercialisation of Disco),  and lasted right up until the mid 80’s, (before Rare Groove took up the batton)

One of my favourite cuts from the period, D-Train consisted of James “D Train” Williams on lead vocals and Hubert Eaves III, (former member of funk and soul outfit Mtume), as instrumentalist. This was the version that moved the crowd mainly due to the introduction..

“With the love I have inside of me we can turn this world around,
we can live through all eternity and we’ll never touch the ground,
We’ll take a chance to ride apoun a star to a place that’s far away,
The light of love will shine on us forever and a day….”

Soul Weekender Crew…all yours..

musicology #436

Fragments #2

(Marvin Gaye – In Our Lifetime)

“The psychiatrists, analysts and all the psychological and social experts complain that they have to repair the immense damage done, to children in particular, by the social , parental and educational systems. But this human wastage is their stock in trade, whether they be therapists, politicians or social workers and the like. If everything only went well, the social welfare field would disappear, and all these fine people would be laid off. The system feeds, then, on its own misfortune. And every agonizing revision or alternative would involve an even more complicated, even more perverse machination”.

the musicology is courtesy of Marvin with a quality piece of 80’s Boogie from his final Motown set ‘In Our Lifetime’

musicology #252

birthdaybashsoul&funk #7

(Steve Parks – Moving In The Right Direction)

Final cut from the birthdaybash rare groove selection and I’m finishing up with a top ranking piece of 80’s soul from a cat called Steve Parks. As far as I know he only waxed one set for the Solid Smoke label from which this, the title track, is taken. First heard by themusicologist in 1986 whilst raving out and about in London Town. Last ‘played ‘out’ by themusicologist at the birthdaybash on November 29th.

Tomorrow begins the Christmas selection. One a day to put us in the mood for when the sleigh bells ring…….

musicology #242

soul&boogie #3

(Change – Paradise)

For themusicologist one of the many benefits of listening to and learning from the ‘boogie’ is the genre’s optimism. At the time, (certainly in England), the outlook was BLEAK. Margaret Thatcher, (and crew), had torn the heart out of the country and begun to establish their ideology on the nation.

Free Market, ‘Entrepenurial’, State backed Capitalism where the individual was more important than the collective. I’m not about to go ‘into one’ on the political philosophy of the times all I will say is that as an 11 year old in 1979 just about to start secondary school it certainly had a huge impact on me. Greed became the order of the day which in my opinion had a negative impact on society at large. The boogie on the other hand had a positive effect bringing people together ‘under a groove’.

The group in today’s spotlight were formed in 1979, (in Bologna), by Italian producers Jacques Fred Petrus and Mauro Malavasi and with their first album ‘The Glow Of Love’ enjoyed instant success. Obviously Luther Vandross as lead singer played a part but more than that the group had ‘style’ and so even after Luther’s one album contribution they managed to evolve and continue to deliver.

The importance of ‘Boogie’ to the development of what became known as ‘House’ is unquestionable and this cut from their second album, (Miracles), is a 5 minute slice of Boogie, with a capital B.
Tight drums, pucker bass line, excellent production and the perfect vocal from Diva Gray as the cherry on the cake.

musicology #166

malevocals2 #4

(Leroy Hutson – Paradise)

today’s cut is an 80’s Soul & Boogie classic from a man whose apprenticeship was served under one of the genres undisputed kings…Curtis Mayfield. Originally a member of vocal group ‘The Nu Tones’, he went onto feature (along with Donny Hathaway), as a member of the ‘Mayfield Singers’ after hooking up with him at Howard University.

multi talented as Singer, Songwriter, (he co-wrote Donny’s solo anthem ‘The Ghetto’), arranger and musician. he took over from Curtis as lead singer of ‘The Impressions’ in 1970

in 1973 having served his apprenticeship he went solo and released some extra fine work especially on his Hutson, and Hutson II albums. This one is a later work, (1982), taken from his only album for Elektra.