#themusicologist [#808] Maybe someday – the Paragons
One of my most cherished early reggae cuts courtesy of the incredible Kentrick ‘Lord Creator’ Patrick who, [at the time of this recording], was rediscovered ‘living’ up a tree in Jamaica..
[S]HE WHO LIVES it KNOWS it..everyone else is a SPECULATOR/commentator.
Day #5 of the Upsetter tribute and after spending the first few years of his career helping to build Sir Coxson’s Studio 1, (and the Downbeat sound), into the #1 outfit on the Island Lee Perry became dissilusioned with Coxson’s lack of appreciation as well as any real opportunities to progress his career so he decided it was time to break free and make his OWN play but it wasn’t really until 1968 when things began to look up for the Upsetter.
Lee Perry was already well on his way to mastering the art of picking, creating and crafting hit records but funds were tight and it wasn’t easy but in the year of the earth monkey, (1968), the English market began to gather speed due, in part, to the rise of Jamaican musics popularity with the working class youngbloods who became known as Skinheads.
Today’s cut is another Upsetter scorcher from 1968. Voiced by the Inspirations, (Trevor Shaw & Ransford White), and recorded at either Dynamic or the Chin family’s ‘Randys’ studio. (Trevor Shaw went on to reinvent himself as ‘Jimmy London’)
the (Limited Edition) Upsetter tribute tee (available in 3 Colours), below was designed and produced as a direct reference to these times…
click on image to see it in all it’s glory.
ChristmasComing #12
Otis Redding – Merry Christmas Baby
Sticking with the 60’s Soul festivities with this cut from none other than the legendary ‘Big O’.. I’m led to believe that this one was released in 1968?? which would make it a year after he ‘boarded the train’ to the pearly gates..if it was then it would have be synoymous with themusicologist as I was born in the month of December, in the year of the Earth Monkey whilst revolution filled the air. Having already laid Otis’ majestic rendition of Irving Berlin’s ‘White Christmas’ down two years ago I’m very happy to be bringing this version of Lou Baxter and Johnny Moore’s Rhythm & Blues Christmas classic ‘Merry Christmas Baby’ to the festive table..First recorded by the Three? Blazers, (Johnny Moore, his brother Oscar, Charles Brown, Eddie Williams), in 1947.
Listen Tune….
Duets2 #4
(Lee Dorsey and Betty Harris – Love Lots of Lovin’)
Slipping out of Jamaica and back to America with this 1968 piece of New Orleans Soul courtesy of Deep Soul songstress Betty Harris in harmony with Crescent City native and Mod/ernist favourite Lee Dorsey. Produced by a man who has featured many times on themusicologist; Mr New Orleans….Allen Toussaint and released on his and Marshall Sehorn’s Sansu label. I’ll take an educated guess and say that it’s The Meters providing the funk but one thing is for sure and that is the contribution Allen Toussaint made to delivering some of the cream of Crescent City musicology throughout the 60’s and into the 70’s. Respect is always due.
SuchIsLife #1
(Lord Creator – Such Is Life)
As promised, new theme kicks off today concerning musical wisdom as laid down by various Cats from across the musical spectrum, inspired by today’s slice of incredible musicology from Trinidadian singer, songwriter and sufferer,Kentrick Patrick, (A.K.A Lord Creator), who penned this unbelievable 1968 marrow trembler while down on his luck living in a tree!! in Jamaica having found himself ‘on the floor’ after a career stretching back to the dawn of Ska recording for the likes of Sir Coxsone and more prominently the producer Vincent ‘Randy’ Chin. In answer to his downturn in fortunes..Creator had this pearl of wisdom to say
“That is in my days of suffereation and alcohol, when I had nothing, when I could not pay rent, when I could not find food for me and my children to eat. While sleeping up in a plum tree with a pregnant woman, I put together a melody, and that is how I recorded the song called, ‘Such Is Life’. It was not a hit, it did not get much airplay, but it meant a lot to me”
For me this cut sums up the essence of music’s incredible power to communicate emotions..Respect is due to Alan from musical storeroom Honest Jon’s who brought me in on this one a few weeks back after a dialogue concerning music and the ‘Project’. I am eternally greatful..
“One day you got plenty money yeah…such is life, such is life,
Sometimes you ain’t got a penny no, such is life, such is life…..
Ideology&Philosophy #5
(The Wailers – The World Is Changing)
Out of the Tao and into the next phase in the wanderings with a slice of spoken word from a next facilitator of learning on the journey to the self. But as we move out of Classical Antiquity and into the modern world I would just like to add that a few minutes from each of these Cats is nowhere near enough to do such an important subject justice but doors are made to be opened and Philosophy along with music is, for me, a door to knowledge that has resonated loud and clear on the quest for ‘meaning’.
The music is yet another slice courtesy of The Wailers but this time it’s a later cut, (1968), on Danny Sim’s JAD label featuring the hard hitting Peter Tosh on lead with Bob Marley and Bunny Wailer harmonising.
JamaicanVocalGroupAction #7
(The Melodians – Swing & Dine)
Apologies for not posting yesterday’s Three Tops cut on the Audio Widget until this morning !! … Been grafting like a dog, especially over the last few weeks, in preparation for phase two of ‘the project’ which is almost ready for exposure. As a result themusicologist had to take a back seat. From my point of view the quality hasn’t suffered, (and never will),but the quantity is a piece erratic so hopefully youse Cats will continue to cut me some slack whilst I adjust.
Today’s piece of Vocal Group Action is a solid gold late Rock Steady, Early Reggae classic from one of the Island’s most loved trios….The Melodians, featuring the sublime talents of Tony Brevett, Brent Dowe, Trevor McNaughton? and Renford Cogle. A group known globally for their influential ‘Rivers Of Babylon’, tune which certainly helped the music of Jamaica to gain more exposure and then acceptance outside of the few places that knew and raved about it. This slice is well known to the reggae community but maybe not so well outside of it. A 1968 Sonia Pottinger production for her Gayfeet label that, at least as far as I’m concerned, climbs and reaches the highest heights.
Listen tune……
JamaicanVocalGroupAction #1
(Johnny & The Attractions – Young Wings Can Fly)
New theme on themusicologist featuring some of the cream of the Island’s musicologists. The music of Jamaica has been a feature of my musical education from my earliest days thanks, especially to two of my uncles, Dell and ‘Johnny One Stop’. Like many a youngblood growing up on the streets of London through the Seventies and Eighties Jamaican music loomed large. Starting in the early Seventies with groups like the Wailers and the Heptones, (both will be featured), and evolving backwards with the inner sanctum of Rocksteady and Roots as the Seventies moved into the Eighties Reggae has always been close to my heart. I learnt a lot about life through the sounds of the Groups, Artists and Producers whose music touched my soul with their authentic cries of ‘the struggle’ for survival and freedom.
Many’s the time I have turned to and found solace in the sounds of Jamaica, from Independence Ska all the way through to ‘Computerised’. So this week is a tribute to a small selection of the Cats who have shaped my life with their ‘weeping and a wailing’
First up is one from the second half of the sixties, released in the UK on Doctor Bird during 1968. Produced by Sonia Pottingers Gayfeet team delivered in a Rock Steady style by a group called Johnny & The Attractions….doesn’t get much better than this as far as I’m concerned.
communication #4
(Alton Ellis – Breaking Up)
today’s slice of the communication pie is a 1968 cut credited to Tommy McCook and the Supersonics, (The Treasure Isle musical backbone), with no mention of the singer anywhere on the label. It is, of course, delivered in finest style by the unmistakeable voice of the Godfather of ‘Rock Steady’, Alton Nehemiah Ellis who, as some of you know, passed away this month.
Probably better known for his Studio1 version, this is the one he cut for Arthur ‘Duke’ Reid’s, (The Trojan), musical powerhouse, Treasure Isle. Released on an early, (Orange label), Trojan 45. . such a top ranking early reggae classic that it’s ‘easy’ to pass over due to it’s familiarity but there’s a chance that some of you may not have heard it and more than that the message cuts especially deep for themusicologist at this time so it had to be flung down.
Alton, come in brother man and let the people know what you’re talking about.
“when you turn and you walk through the door…(ahhh ahhh)”
teachings of billionaire YenTzu #11
(Ernest Wilson – Undying Love)
penultimate cut of the Yen Tzu selection…
Kissing The Scorpion (following your true nature)
‘This will be ideal for my meditations,’ thought a wandering sage, seeking a cave in the wilderness. Upon entering it, however, he noticed the skeletal remains of many human corpses. Unconcerned, he sat down on a rock to rest from his travels.
‘How you answer will seal your fate!’ boomed a voice, and turning the sage saw that before him was a gigantic scorpion, the size of a large man.
‘As your questions have undoubtedly sealed yours,’ replied the sage calmly.
‘What manner of Man are you to be without trace of fear?’ demanded the giant scorpion. ‘For the nature of Man is to be afraid.’
‘Not so,’ answered the sage. ‘For in truth the nature of Man is to be in balance, and such a state comes when he has no fear of what life may confront him with, because he is in love with the true meaning of life. As my thoughts and actions have led me to this place, how can I fear it? To do so is to fear myself, which I do not, for I have only love for the person that I am.’
‘Then you are rare indeed,’ said the scorpion, ‘for the men who have come before you have been escaping from themselves, as one seeks to leave another within a loveless relationship.’
‘You speak as one who has experienced such,’ said the sage intuitively, ‘for your visage is not strong enough to hide the pain, frustration and indeed anger that you exude.’
‘It would seem that truthful perception is yours to command,’ answered the fearsome creature. ‘Because in truth I was as a man once, long ago, until my ruthlessness attracted a demon seeking a disciple. My resistance to it resulted in having my current condition cast upon me. But because what was left of my original nature was able to resist, the demon was compelled to allow my situation a reversal. Though little use it has been. For of all those who have approached my lair these past long years, none have caused the spell to be reversed.’
‘Because no doubt they must answer of their own accord and without direction,’ said the sage. ‘An accord distorted by their fear.’
‘Exactly so! and now you will forgive me if I become impatient to address the riddle I must ask of you!’ said the scorpion. ‘If you refuse to answer, cannot or your answer is wrong, then I thank you in advance for our debate, for afterwards it will be too late.’
‘Proceed as you wish,’ the sage said, ‘for it is of little consequence.’
‘Take heed though,’ advised the scorpion ‘that immediately after I have incanted my words I will be rendered helpless in order to allow you to make your choice. Although you are weaponless, there are many swords around you that are sharp enough to enable even the weakest of arms to slice off my deadly tail. And so:
‘When you embrace the most deadly, you overcome your worst fears;
When you act the least likely, there can be nothing but tears;
When you act from the heart and engage worthy might,
Then to the end from the start, you have held to what’s right;
Your balance to death will be as it is for your life,
To do one over the other, can bring sorrow and strife;
when you act as you do because you are as you be,
You will know if a kiss or a strike is the key.
‘Quickly!’ added the now motionless scorpion looking menacingly into the eyes of the sage. ‘You have the opportunity to strike me.’
‘My answer is as my action,’ said the sage and calmly outstretched his arms and kissed the creature on it’s evil-looking head. Immediately the scorpion was transformed and it was now a man that stood before him. With the spell broken, tears flowed freely down the large man’s cheeks and he fell at the feet of the sage in gratitude. As the sage helped him up, the large man said,
‘You chose correctly, yet why were you so sure, when the nature of a scorpion is to strike when face to face with it’s adversary?’
‘Because deep down you were still a man,’ said the sage, ‘and it is the true-nature of a man to love, not strike. And as the riddle implied, transforming you back into a man is the greatest risk to overcome, because Man can be more deadly than any scorpion. Acting in the least likely way of not seemingly protecting myself could only release your tears. Those tears a man has prior to his transformation and the tears of happiness that follow it. Furthermore because I am in a state of balance I can but only act in a right manner.’
‘I am indeed fortunate to have found such a natural individual to release me from my predicament,’ said the man.
‘Fortune has nothing to do with it,’ replied the sage with finality. ‘It was your own need to return to your true vocation that attracted you to me, and it was my own thoughts to test my own vocation that led me to you. All of us are interdependent of others whether we are aware of it or not. As such, all of us are both teachers and students, appearing as appropriate to one another when each is ready. That is how we can fulfil our true vocation. Learning how to express it effectively requires a state of balance. For only in such a state can we act as our true nature intended.’
vocalgroupaction2 #6
(The Uniques – Lessons Of Love)
day six !! of the vocalgroup selection and the tunes just keep on coming…by now i’m sure you’ve realised that the two genres that feature heaviest on themusicologist are Soul & Reggae and today’s cut is no exception.
courtesy of one of the most ‘important’ of Jamaica’s vocal groups The Uniques whose previous incarnation, (The Techniques), had already played a huge part in shaping the vocal group sound of Jamaica with Duke Reid at Treasure Isle. (for an example of the Techniques work with ‘The Trojan’ take a listen to musicology #44).
but it was as this pivotal line-up, (Roy Shirley, Jimmy Riley, Lloyd ‘Charmers’ Tyrell and Keith ‘Slim’ Smith), produced by the Islands top producer at the time Bunny ‘Striker’ Lee that they rose to the top of Jamaica’s vocal group tree with a string of Rock Steady classics such as ‘Gypsy Woman’, ‘My Conversation’, ‘The Beatitude’, Love & Devotion, ‘Facts Of Life’ (to name a few)
briefly…Bunny Lee was a major figure in the evolution of Jamaican musicology especially during this period. One of the first, (the first being Cecil ‘ Prince Buster’ Campbell), independent producers to challenge Coxsone Dodd and Duke Reid he was instrumental in breaking the hold the two held over the music resulting in the emergence of other notable producers such as Derrick’ One Stop’ Harriott and Lee ‘Scratch’ Perry.
Recorded in Kingston at the Treasure Isle, (or W.I.R.L), studio in 1968.
sixartist,sixtune,sixweekspecial #7
(Small Faces feat Steve Marriott – Afterglow)
this week it’s all about the legend known as Steve Marriott. Small Faces/Humble Pie/Packet Of Three/Official Receivers front man who’s musical, vocal and performing talents were ten times larger than his physical stature. Following in the footsteps of original London Boy Joe Brown it was ‘little Stevie’, (together with the rest of the Small Faces), that put an authentic London sound on the musical map.
This cut, (one of Steves personal favourites), is taken from the ground breaking LP Ogdens ‘ Nut Gone‘ Flake named in deference to the rolling tobacco, (Ogdens Flake) favoured by the band for wrapping spliffs that after smoking guaranteed your ‘nut’ was gone. Who else but the Small Faces used the London Vernacular?…pure Mod. Proud of their culture and Cockney heritage
As with the previous ‘tribute’ themusicologist aims to let the music talk so hold this piece of London musicology from one of the great English bands…. of personal significence is that it comes from 1968..the year of themusicologist’s birth.
Special request to all the London boys who ‘live up a foreign’…you know who you are. hope this one reminds you of the auld country.