musicology #512

Duets2 #2

(Am I A Good Man – Them Two)

Today’s marrow trembler finds themusicologist standing in ‘still waters’ that run almost too deeeeeeeeeep and I’m probably shooting myself in the foot by peering into the darkest recesses of my soul in such a public way but authenticity compels me to continue asking the question….what/who am I? (not that I’m expecting or even asking for an answer as I don’t believe there is a definitive but unfortunately that doesn’t stop the internal dialogue).

Paradoxically? the question has reared it’s head at the onset of this ‘Harmony’ theme but in the words of Blues man supreme Little Willie Littlefield ‘Life is like that’ and no amount of running and hiding will alter a truth.

The musicology presented by the TOP RANKING Numero Label was originally recorded for and released on Miami’s Deep City label sometime in the late 60’s? and features the combined harmonies of Clarence Reid and Willie Clarke ably backed and driven by Helene Smith, Arnold Albury and Reed Roberts. For me music doesn’t get ‘better’ than this…what a tune.

har·mo·ny

–noun,plural-nies.

agreement; accord; harmonious relations.
a consistent, orderly, or pleasing arrangement of parts; congruity.
Origin:
1350–1400; ME armonye < MF < L harmonia < Gk harmonía joint, framework, agreement, harmony, akin to hárma chariot, harmós joint, ararískein to join together

—Related forms

non·har·mo·ny, noun,plural-nies.
pre·har·mo·ny, noun

—Synonyms
1. concord, unity, peace, amity, friendship. 2. consonance, conformity, correspondence, consistency.

musicology #511

Duets2 #1

(Birdlegs & Pauline – Spring)

This week it’s all about the musical harmony between two people. Kicking off the theme with a 1964 mod/ernist classic courtesy of 60’s Soul duo Sidney ‘Birdlegs’ Banks and his wife Pauline Shivers Banks. Originally recorded for and released on Jim Kirchstein’s Cucca label..this is the Vee Jay Release.

musicology #510

CoversWeek2 #7

(Bill Withers – Let It Be)

Final day of the second instalment of the covers theme..yet again there’s too many to choose from so rather than waste precious time deliberating I’m just going to lay this cut on you. Yet another one from themusicologist’s memory banks..Bill Withers 1971 version of the Beatles song Let It Be. Highlighted from his first LP ‘Just As I am’. Produced, arranged and featuring ‘Booker T’ Jones as well as the combined talents of Stephen Stills, Jim Keltner, Bobbye Hall Porter and Al Jackson Jnr. Recorded and released on the Sussex label.

“When I find myself in times of trouble Brother Billy comes to me,
Speaking words of wisdom, Let It Be ohhh Let It Be..”

New theme starts tomorrow…

musicology #509

CoversWeek2 #6

(Donny Hathaway – Jealous Guy)

Somewhat of a dilemma over today’s slice..1 artist 2 majestic covers..what one to lay down? Donny’s version of Ray Charles’s ‘I Believe To My Soul’ or John Lennon’s ‘Jealous Guy’ ?? hmmm I think it’s going to be ‘Jealous Guy’. Nothing to choose between them as I said…both top of the ‘covers tree’ but something about this one that resonates stronger with me than ‘I Believe’. Am I a ‘Jealous Guy’…not neccesarily but I know I have been. Is it jealous or insecure? it’s a thin line indeed. Insecure…for sure so in true dialogue style hold this one from Donny’s Live set. Before I finish I just want to add how much I feel the man’s authenticity come through in his music…genuine dialogue between a man and his inner being I believe.

Others of note are Marvin Gaye, of course master John Coltrane, Gil Scott Heron, Terry Callier, Curtis Mayfield, Paul Weller, Dinah washington, Sam Cooke, Billie Holiday…there are others I could add but those are the ones who come immediately to mind without thinking long and hard. Recorded live, (1972), at the Bitter End and featuring Cornell Dupree, Mike Howard, Willie Weeks, Fred White and Earl DeRouen

musicology #508

CoversWeek2 #5

(Dennis Brown – It’s Too Late)

Up and out with the larks today and no time to juggle so I’ll just have to leave you with this one from ‘the Crown Prince Of Reggae’ Dennis Emmanuel Brown. Child prodigy, musical ambassador and man of the people with a 1973? cover of the Carol King/Toni Stern composition originally recorded for and released on her famous ‘Tapestry’ set. The cover of which, (and the song in question),  brings back fond memories of being a very young child. Produced by Herman Chin Loy

musicology #507

CoversWeek2 #4

(Cornell Campbell – Ten To One)

Slipping back into the sweet sounds of Jamaica for today’s cut with a piece by one of the islands great artists the MAJESTIC and pioneering Cornell Campbell . A Cat who begun his recording career at the tender age of 11 in the mid 1950’s for Coxsone, moved on to record with King Edwards in the mid 60’s, harmonised within ‘The Sensations’ for Duke Reid’s Treasure Isle, returned triumphantly to Studio 1 with ‘The Eternals’ and then begun a long solo career that continues HALF A CENTURY later to this day.

Here heard cutting his teeth on a Curtis Mayfield and The Impressions soul classic. As far as I’m concerned an absolute marrow trembler from start to finish and yet another musical diamond mined from the Studio1 archives. One listen should leave us in no doubt as to the influence both Curtis Mayfield and Coxsone Dodd had on Jamaican musicology….LISTEN TUNE.

musicology #506

CoversWeek2 #3

(Solomon Burke – Maggies Farm)

bit later than expected on yesterday’s George Benson cut so I’m laying today’s slice of the covers pie down early…before I get sidetracked with my load. Cat still has my tongue a piece so without further delay hold Solomon Burke’s Rhythm & Blues version of Bob Dylan’s protest song. Especially poignant in the 21st Century as ‘Maggie’s Farm’ is well on the way to selling us into a desolate future full of debt, fear and loathing. Watch the ride, make sure you wear your seatbelt and brace yourself for the crash…heading our way sometime over the next 2/3 years.

musicology #505

CoversWeek2 #2

(George Benson – Take 5)

Been a long time coming but after 8 months of trials and tribulations it feels like themusicologist is back in the saddle. To be honest there have been times over the past few months when I’ve asked myself whether I should continue to invest so much time and effort in the brave new world of the hyper-real as the ‘return on investment’ is almost impossible to quantify but as the months have rolled by and this new chapter in the book of life gets written I realise how essential it is, (for me at least), to have a soundtrack as well as how much the world is changing in relation to investment. As far as I can see the only life worth living is the one you want to live and not the one forced apoun us by fear, capitalism and politricks. I live and breathe music, (always have), and without it existence would be half of what it is..communication would be even more of a struggle and the continuing and ever more valuable dialogue I find myself engaging in would feel more like a monologue.

Music facilitates learning as it challenges the I to participate and question rather than just observe and obey whereas chasing financial success at the expense of all else is a fools quest..Something I have learnt along the way is that money ain’t worth the paper it’s printed on and the pursuit of it may leave you cold, bitter and empty whereas the pursuit of success as a human being opens up the possibilities to express your self and through that connect with others who are also crawling, walking or running along the road to freedom. I say fuck the money and let’s explore the love.

Today’s cut from master Guitarist George Benson, (a Cat who begun his career at the age of EIGHT playing in an unlicensed nightclub), says it all in two words.

Selected from his 1974 set ‘Bad Benson’

musicology #504

CoversWeek2 #1

(Hortense Ellis – Sitting In The Park)

This week I’m revisiting an earlier musicology theme concerning cover versions. Cat’s got my tongue a piece today and I have plenty to do regarding ‘the project’ so I’ll just get straight down to business and kick off the proceedings with  Hortense Ellis’s top ranking Studio1 version of Billy Stewart’s Soul classic ‘Sitting In The Park’. Always been a bit of a mystery to me why there are so few female singers to have emerged from Jamaica…The only three I can think of are Marcia Griffiths, Phyllis Dillon and Hortense Ellis?..During her career Hortense recorded for all the top producers Coxsone, Duke Reid, Lee Perry, Bunny Lee, Gussie Clarke but, (like 99% of all Jamaican artists), never had any great commercial success….shame.

musicology #503

SoulBoy #22

(Eloise Laws – Put A Little Love Into It)

Final cut on the SoulBoy and I’m going to wrap it up with this 1977 cut on the Invictus label set up by Eddie and Brian Holland and Lamont Dozier. The songwriting and production team largely responsible for much of Motown’s success between 1962-67. Sung by the daughter of Hubert Laws Snr, sister of Hubert, Ronnie and Debra.

musicology #502

SoulBoy #21

(Ann Peebles – Give Me Some Credit)

last few cuts on the SoulBoy..looking forward to listening back to the theme in all it’s glory. almost impossible when in the eye of a theme. So without further delay hold this quality cut from Soul songstress Ann Peebles.

musicology #501

SoulBoy #20

(Eddie Ray – You Are Mine)

hmmm..how to follow yesterday’s cut from the Lion? many have tried, (on stage), and all failed. Sam Cooke stole every show he appeared on and tore the house down everytime both with the Soul Stirrers and as solo artist so I don’t relish the prospect ! still…someone has to so I suppose it’s close my eyes and ‘pin the tail on the donkey’ time and just allow whoever the musicology sword falls on to come in and do their thing..

Today’s cut then is courtesy of a Cat who I know nothing about. Introduced to me via the SUPERB Numero group’s collection of Rare gems..this cut is borrowed from the Top Ranking Series Eccentric Soul: The Prix Label.

Another SoulBoy Marrow Trembler….

musicology #500

SoulBoy #19

(Sam Cooke – Somebody Ease My Troublin’ Mind)

milestone on themusicologist…500 cuts and still haven’t even scratched the surface of the vaults !! here’s hoping that you cats and kittens have enjoyed the journey so far. how long will it last? who knows…but I’ll keep spinning as long as I’m able. When I took the first step on this musical journey I had no idea where it would lead. I just felt that the time had come to communicate with the world and open up a dialogue with my heart, soul and mind using the most effective language that I know…the sweet sounds of music. What is it about music that leaves such a deep impression? I don’t know but there have been many books written, lectures discussions and debates around tables, on street corners, in bars, classrooms and hallowed halls for generation after generation and still there are no definitive explanations, such is the power of frequency and especially harmony to resonate deep within us and touch the soul in ways that, at least for me, nothing else comes close to reaching other than that elusive feeling words can’t describe, Love…

I was going to wax lyrical and go right into ‘one’ but, (and I don’t know for sure why?), to be brutally honest with you today’s cut nails the way I have been feeling these last few days courtesy of the one artist who, for me, stands above all others..The Lion, Mr Soul…Sam Cooke without whom the music we now call Soul may not have emerged and even if it did definitely wouldn’t have been the same. Recorded in 1964 not long before the curtain closed on the troubled last few years of his short life. Sung in such a way that it leaves no doubt why the Lion is known as Mr Soul…The man who put the Soul in Soul….what a F***in’ TUNE, (excuse the profanity but the piece always brings me to my knees and trembles my marrow)

musicology #499

SoulBoy #18

(Bobby Womack – Tried and Convicted)

Final week of the Soul theme and who better as far as themusicologist is concerned to bring us down the final furlong than one of my most cherished artists Bobby Womack. As I have mentioned before, along with Curtis Mayfield it was Bobby Womack who had the most influence on a young child running wild on the streets of South London in the 1970’s. Cuts like I Can Understand It, If You Want My Love, O.V Wright’s That’s The Way I Feel About Cha, Stop On By, A Woman’s Got To Have It, Communication, (to name a few)…are all integral parts of the soundtrack to my existence. In fact often when I hear, (early 70’s), Bobby, Curtis, Bill Withers, Stevie and Marvin I can view the world through the eyes of a child once more. Music does that for me like nothing else can. I don’t think of what I was doing or wearing to identify the stepping stones in my life it’s ALWAYS what I was listening to and no doubt always will be. So without further delay, (and before I get all misty eyed),  hold this late 60’s slice of the Bobby Womack pie recorded for and released on the, (New Orleans powerhouse), Minit Label. Produced by Chips Moman

musicology #498

SoulBoy #17

(Garland Green – Plain And Simple Girl)

right..have to be quick today, (even though I’m slowing the tempo..), as I have to get my ‘bottle’ out the ‘apple’ sharp and wanted to get this one up for as long as possible..apologies for leaving you SoulBoys and SoulGirls hanging for the next installment these last few days, things to do…people to see, (MrHare them shoes are sooo ‘RUDE’)…no excuses just apologies. Hope to make up for it with this Sunday afternoon, Soul Spectrum slice from Garland Green..produced and arranged in 1970 by the majestic Donny Hathaway his first and most , (commercially), successful, (whatever that means?), release on Cotillion. I am a BIG fan of this one. Soul through and through….Listen Tune…

musicology #497

SoulBoy #16

(The Fundamentals – Before It’s Too Late)

Through the ups, downs, highs, lows, hills and gullys of my life the only ever present is the soundtrack. To put it simply I am passionate about music in a way that is sometimes frightening. I Lose all sense of time and as long as I have music as a guide no mountain is too high to climb, (and I’ve found myself at the foot of quite a few !), If truth be told I could, (and would be happy to), spend my whole life bathing in musical waters….but before I can do that I need to make my play and at the moment I’m busy setting up the next phase of the project. It had to take a back seat for the last 9 months as the threads of my life unraveled….but as they say in France…C’est La Vie and one thing’s for sure “I plan to stay a believer”.. That’s not to say that I’m completely out of the woods..that will take some time but it feels to me like I’m on the right track.

Anyway…denough of the ramblings and back to the SoulBoy with today’s beautiful piece of 1967 Vocal Group action from out of Chi’.

musicology #496

SoulBoy #15

(Sam And Dave – Goodnight Baby)

Staying on board the Soul Train for this week as there are far too many cuts and artists who have yet to be featured..Marvin Gaye, Bobby Womack, James Carr, Sam Cooke, Teddy Pendergrass, Al Green, Aaron Neville, Bobby Bland, Solomon Burke and on and on and on in fact a year still wouldn’t be long enough to dig deep into the Soul Cellar so another week is the LEAST I can do.

Too many pieces to choose from…must have lined up at least 5 cuts…just as I’m about to prepare one a next piece floats out of the speakers to distract my butterfly mind. So without further delay hold this piece from one of the great duets Sam Moore and Dave Prater. So electric were they on stage that Otis Redding refused to go on after them. 1965 release on the Stax Label.

musicology #495

SoulBoy #14

(Bettye Lavette – Easier To Say Than Do)

What is Soul? have I asked this question before? can’t remember and to be honest I don’t think I’ll go back over the last 494 diary entries to satisfy my curiousity ! all I can say is that for me Soul communicates with my emotions in ways that only music seems to be able to. I enjoy looking at Art and reading it too but there’s something about listening to it that has a transcendent quality that words can’t describe..So instead I’ll leave it to the music..

Today’s cut is a first on themusicologist not only for the artist but also for the way in which it was delivered.courtesy of a fellow musicologist who I have had the pleasure to hook up with via the musical diary. The first in a series? of collaborations between themusicologist and audience. Recorded in 1970 for Shelby Singletons SSS International label but not released? BIG label for the Northern Soul Cats this is a fine piece of Soul from a great singer who first recorded at the dawn of Soul in 1962. Probably best known in the Soul community for her Marrow trembling ‘Let Me Down Easy’ .. Still going strong Bettye Lavette is a genuine Soul singer of the highest order.

musicology #494

SoulBoy #13

(Angie Stone – Everyday)

Another day another Soul dollar..sticking with The Ladies for the next few days, (seems rude not to !!), but (almost), moving into the 21st Century with this cut from the magnificent Angie Stone..yet another artist who started out singing Gospel..Have to be quick today as I’m on a course refreshing my screen printing skills so can’t wax lyrical..

Today’s 1999 cut is highlighted from Ms Stone’s debut set ‘Black Diamond’..co written by D’Angelo. QUALITY mod/ernist Soul from one of themusicologists favourite contemporary artists.

musicology #493

SoulBoy #12

(Irma Thomas – Ruler Of My Heart)

Love the way the SoulBoy is shaping up….Soul and Reggae are the two musical languages that I am fiercely passionate about..I like many genres and almost all styles but nothing connects with the I like these two. Maybe it’s because I was brought up with them? especially Soul, the sweet sounds of Jamaica didn’t make an appearance until I was 3 or 4 years old but Soul is in my flesh, blood and bones…prenatal style !!

Seems like the Soul Kitchen’s hotting up with every cut so i’ll keep up the pressure with this piece from the superb Irma Thomas..well known to Soul Cats and Kittens for many a fine slice, (this being one of them), ‘The Queen of New Orleans Soul’ started out singing in a Baptist Church choir as a teenager but it wasn’t until 1960 that she ‘waxed her first side’. Like all the great New Orleans Soul singers of the sixties it was on the pioneering label Minit that she really begun to cut loose under the wing and watchful eye of the legendary Allen Toussaint, producer, arranger, songwriter and piano maestro whose contribution to the emerging sound now known as Soul deserves, (and gets), honourable recognition. Today’s cut was reinterpreted by the ‘Big O’ for his first solo outing ‘Pain In My Heart’ and as good as that is, for me, this one reaches out even further. 1963 recording on the Minit label. Already featured twice on themusicologist, (#150/ #359 Irma Thomas oozes Soul.